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Crime, Media and Policy

  • Module code: CM5003
  • Year: 2018/9
  • Level: 5
  • Credits: 30
  • Pre-requisites: Successful completion of level 4 criminology or equivalent
  • Co-requisites: None

Summary

Crime, Media, and Policy is designed to provide second year undergraduate students with a critical introduction to the field of crime and the media.  The module provides a historical foundation to the subject before reviewing key media and criminological debates against twenty-first century concerns about crime and deviance. The syllabus develops to explore criminological theory, crime in media culture and the complex interactions between consumers and producers.  The module is designed to provide students with the knowledge, understanding and skills to critically engage with debates about crime news reporting, media and moral panic, media constructions of women and children, crime fiction, film and television crime drama, crime and surveillance society, and crime online.  Direction to core factual material and substantive material will be provided via Canvas, with weekly lectures and seminars used to explain and explore key concepts, and present visual material for dissemination and discussion.   

On completion of the module you should be able to demonstrate that you have an understanding of the concepts of crime and deviance within the media, and the ability to engage critically with debates and developments within this controversial sphere of criminological theory and public policy. You should also be able to undertake a content analysis and show that you can apply appropriate context and theory to set questions on crime, media and associated policy.

Aims

  • introduce you to key concepts in the study of crime, media  and policy;
  • provide you with an understanding of the historical development of the media and the reporting and depiction of crime and deviance;
  • introduce you to the key theories and twenty-first century debates over media culture, control and criminality; 
  • provide students with the knowledge, understanding and skills to critically engage with debates about crime news reporting, moral panic, media construction, crime fiction, and the challenge of the web and web 2.0 technologies;
  • to develop a critical and inquisitive approach when viewing visual depictions of deviance.

Learning outcomes

  • demonstrate knowledge of key concepts in the fields of crime, media and policy within their socio-political and cultural context;
  • engage critically with debates about crime, media an d policy;
  • a critical appreciation of the construction of crime news, crime in film and crime fiction;
  • understand criminological theory within the subject area, in particular the media construction of monsters and moral panic.
  • critically locate, analyze and interpret visual depictions of deviance;
  • analyse of the growth of surveillance culture, the mediascape and the impact of the world wide web and social media, and use these analytical skills to engage in relevant policy debates

Curriculum content

  • the historical development of the media and the emergence of crime news and crime fiction;
  • theoretical and research approaches to media and crime, and the social discovery of folk devils and moral panics;
  • representations of crime and the criminal, masculinity, morality, and action.
  • media constructions of women and children as 'evil monsters' and 'helpless victims' - from Borden to Bulger; 
  • the screen machine: visual depictions of policing and deviance: watching the detectives and crime as popular culture commodity;
  • mass media, mass murder, and mass hysteria: serial killer cinema and the unresisting victim;
  • big brother, cctv, and diminishing privacy: crime and the rise of surveillance culture;
  • crime culture as public obsession: stigmatisation, sentimentalisation, and sanctification;
  • semantics, symbiosis and states of terror: power, politics and the construction of palatable news;
  • the world wide web, cultural emancipation or opening the floodgates: uncensored news, online crime and risk.

Teaching and learning strategy

Students on the module will be directed to weekly readings and viewings (video, film, podcast) which will provide the foundation knowledge for the module, each week new material will be released into Canvas for students to read and/or view to discuss prior to their weekly lecture/workshop.  The weekly lecture/workshop will be designed to explain key concepts with linkage to the set reading, and to introduce students to visual media where appropriate; such as news broadcasts, documentaries, television drama, and film footage.  Key questions will then be introduced to test and evaluate understanding of the material.

Breakdown of Teaching and Learning Hours

Definitive UNISTATS Category Indicative Description Hours
Scheduled learning and teaching Lecture/Workshops Blocks 44
Guided independent study Reading and note taking Production of formative and summative assessment 256
Total (number of credits x 10) 300

Assessment strategy

A combination of formative and summative assessment strategies will be used on this module to support learning. Students will be given individual guidance and feedback on the formative assessment. Content Analysis is a key methodological skill that criminology students will need to have a firm grounding in, should they wish to focus on topics related to representations of crime and justice in their research modules at level 6. 

The module is assessed via two pieces of written coursework.  The first is a Content Analysis Report (50%) submitted at the end of semester one which involves detailed content analysis of a single newspaper crime story from a set list.  The second is a traditional style Essay (50%) submitted at the end of semester two, with a choice of questions which encompasses the full syllabus, allowing students to study an area(s) of particular interest in more detail.

Report (Content Analysis) (formative)

A1: Report (Content Analysis) (50%) summative

A2: Essay (50%) summative

Mapping of Learning Outcomes to Assessment Strategy (Indicative)

Learning Outcome Assessment Strategy
1) draw on knowledge of the concept of crime and the media within its socio-political and cultural context. Report (formative) Report (summative) Essay (summative)
2) have the ability to engage critically with debates about new concepts within the subject area such as globalised media, cybercrime and the mediascape. Report (formative) Report (summative) Essay (summative)
3) possess a critical appreciation of the construction of crime news and crime fiction alongside an understanding of criminological theory within the subject area (in particular the media construction of deviancy amplification and moral panic). Report (formative) Report (summative) Essay (summative)
4) have the ability to critically locate, analyse, and discuss visual depictions of deviance. Report (formative) Report (summative) Essay (summative)
5) utilise knowledge of the growth of surveillance culture and the impact of the world wide web. Report (formative) Report (summative) Essay (summative)

Elements of Assessment

Description of Assessment Definitive UNISTATS Categories Percentage
CWK 2,500 word Report 50%
CWK 2,500 word Essay 50%
Total (to equal 100%) 100%

Achieving a pass

It IS NOT a requirement that any major assessment category is passed separately in order to achieve an overall pass for the module.

Bibliography core texts

Cohen, S. (2002) Folk Devils and Moral Panics, London: Routledge

Haywood, K. and Presdee, M. (2010) Framing Crime, London: Routledge

Jewkes, Y. (2010) Media and Crime: A Critical Introduction, London: Sage

Bibliography recommended reading

Carrabine, E. (2008) Crime, Culture and the Media, London: Polity Press

Critcher, C. (2006) Critical Readings: Moral Panics and the Media, Milton Keynes: Open University Press

Ferrell, J. et al. (2004) Cultural Criminology Unleashed, London: Routledge

Franko-Ars, K. (2010) Globalisation and Crime, London: Sage

Greer, C. (ed.) (2008) Crime and Media: A Reader, London: Routledge

Hassan, R. (2008) The Information Society, London: Pluto

Marsh, I. and Melville, G. (2008) Crime, Justice and the Media, London: Routledge

Mason, P. (ed.) (2003) Criminal Visions: Media Representations of Crime and Justice, Collumpton: Willan 

Penfold-Mounce, J. (2010) Celebrity, Culture, and Crime, London: Palgrave

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