Electroacoustic Composition MMus
Facts about Electroacoustic Composition
| Qualification | MMus |
|---|---|
| Duration | Full time: 1 year Part time: 2 years |
| Attendance | To be confirmed |
| Assessment | Coursework, including folio of electroacoustic compositions. |
| Course structure | |
Choose Kingston's Electroacoustic Composition MMus
The Electroacoustic Composition MMus is ideal if you are interested in creating electroacoustic music (generating compositions through technology) or compterised music and want to develop your skills and techniques further. You can compose in a wide range of current styles, from popular-based electronic music (such as Aphex Twin) to experimental tape/recorded music using programmes like Max/Msp. You will produce a folio of electroacoustic recordings and have your music performed in the surround-sound system in Coombehurst Studio.
The course is practice-based, and we will encourage you to create vivid and rich new sounds in your compositions. You will also have the opportunity to compose for live instruments and writing to image. Five of the lecturers at Kingston are active electroacoustic composers, working in a wide variety of styles. We also have many visiting composers, such as Brian Ferneyhough, Peter Wiegold and Steve Martland.
What will you study?
You will study the principles of electroacoustic composition, recording techniques and composing to image, including working with a live ensemble. You will take part in practical workshops and compose music to be performed by professional musicians. Recent composition workshops have included the Arditti String Quartet, the Delta Saxophone Quartet and Chris Redgate (oboe).
You will also develop an understanding of the physical features of sound and how these features are perceived. We will introduce you to contemporary techniques for processing and manipulating sound, and discuss techniques for synthesising new sounds.
As a student on this course, you will have the chance to get involved with a range of music groups at the University, with opportunities to join a wide range of ensembles.
Many of the staff in the Music department are research active. This ensures they are in touch with the latest thinking and bring best practice to your studies.
Course structure
Please note that this is an indicative list of modules and is not intended as a definitive list.
Core modules
- Colloquia
- Composing for Live Ensemble to Image
- Major Project
- Recording Techniques
- Researching Music
- Sound Design
- Techniques and Technology for Composing for Film and Television
Optional modules
- Advanced Production of Popular Music
- Advanced Techniques for Composing for Film and Television
- Comparative International Music Education
- Music Education in the UK: Theory and Practice
- Popular Music Composition
- Psychology of Musical Learning, Communication and Expression
- The Aesthetics of Musical Performance
- The Business of Composing for Film and Television
- The Marketing of Popular Music
- Applied Musical Skills
- Conducting
- Creating Music and Sound for Image 2
- Ensemble Projects 2
- Jazz Studies 2
- Live Electronics
- Music in Context
- Special Study
- British Cinema 1960-1990
- Gender and Sexuality in European Cinema
- Mapping World Cinema
- New Hollywood: from the mainstream to the margins
- Place and Identity in European Cinema(s)
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Related courses
Related to this course:
- Music & the Creative Economy MA
- Music Education MA
- Music MA
- Music Performance MMus
- Production of Popular Music MMus
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