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Film Studies MA

Mode Duration Start date
Full time 1 year September 2017
Part time 2 years September 2017

Choose Kingston's Film Studies MA

Bringing together those with a passion for contemporary cinema, this course focuses on a range of current approaches to film studies and provides an in-depth study of specific areas such as American independent, European, British and Far East cinema. It will enable you to develop a critical understanding of the importance of theory, method and analysis to the study of film, and you will be encouraged to test out original approaches, both in seminars and written work.

Find out more about this course:

Key features

  • This MA offers the opportunity to carry out research into a variety of areas, including gender and sexuality on screen; religion, philosophy and film; censorship and ideology; industry and independents in New Hollywood; and cinema and media in the global context. You may also carry out research at the British Film Institute (the largest film archive in the world).
  • If you are interested in further research, this course provides an excellent foundation for MPhil/PhD study.

What will you study?

You will study all that is new, vital and innovative in contemporary and emergent cinemas. You will evaluate and critically analyse a range of perspectives on cinema in light of contemporary developments, shifting cultural alliances and patterns of cross-fertilisations. In addition, you will be introduced to the main areas of debate in the history of film criticism. Current modules focus on American cinema (mainstream and independent), post-1960 British cinema, European cinema (with specialist studies on gender and sexuality, and place and identity) and world cinema (with case studies on South-east Asia, Latin America, India and Iran).

In writing your dissertation, you will demonstrate your ability to research a topic of your choice in depth, gaining a rigorous grasp of current theoretical and methodological debates relevant to the subject area, as well as an understanding of the historical and cultural context.

Assessment

Essays, presentations, research projects, and dissertation.

Course structure

Please note that this is an indicative list of modules and is not intended as a definitive list.

Core modules

  • This year-long module will provide the theoretical core to the MA Film Studies programme. It aims to explore a set of theoretical paradigms that have shaped the study of film and will approach the subject from an historical, formal, and theoretical perspective. It will introduce students to a range of cinematic examples that will provide the focus for discussion and analysis. Examples will be drawn from classical cinema, art cinema, and experimental cinema, and will encompass both historical and contemporary work. The module will be taught through a series of seminars that will give students the opportunity to explore both films and texts in considerable detail, allowing them to consider how the medium has engaged with a range of theoretical debates over the course of its history.

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  • This module for the MA in Film Studies consists of supervised independent research and writing and enables the student to conduct detailed and extensive research into a distinctive area of enquiry and to present that research in a dissertation of approximately 15,000 words.

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  • Globalization has been one of the most popular buzzwords of our times, attempting to explain why and how the contemporary world seems to be changing at such speed and how we, as individuals are caught in this whirlwind of change. Media and cinema, more than any other industries, have been seen as inherent and constitutive parts of globalization, both contributing to and shaped by different processes of globalization. Taught jointly by staff from postgraduate programs of media and communication and film, this module explores the debates around media and cinema's inherent and constitutive roles in globalization. It particularly attempts to examine the political, social, cultural and moral issues that arise around the global circulation of media and film texts, images and formats.

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Optional modules

  • This module examines the hybrid and diverse nature of British cinema from the early 1960s to the present day. The central focus of this course will be the relationship between British cinema and national identity. Students will not only investigate the ways in which British cinema reflects national consciousness, but examine the ways in which it has shaped and contributed towards it. In so doing, students will explore the multiple ways in which British cinema has both reflected and produced sociohistorical, cultural and political change. This module will focus on a diverse range of key British film genres (related to British national identity), auteurs and movements, examining the socio-historical, cultural and cinematic not only their relationship with society, but the industrial and economic factors that have determined their production and reception.

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  • This one semester module is an elective primarily offered to students taking an MA in Media & Communication or an MA in Film but it is also relevant to those taking postgraduate degrees in politics, political communication, human rights and conflict. It deals with some of the most hotly debated issues in different societies about how to balance core freedoms (expression, press and protest) with the state protecting what and who may be potentially harmed by certain forms of expression through censorship.  Even then these remain open debates as new forms of subversion and resistance emerge with new technologies or through the use of the body to express protest. The module explores these at two levels. The first outlines different approaches to and principles governing censorship depending on whether expression is through images; words, ideas and beliefs; information; and action. These are then explored in more depth in sessions that draw on staff specialisms here, for instance, in film, news, information-privacy, protest movements, etc.

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  • This module examines the way in which the genres of Horror and Cartoon Comedy splice animals and humans together to create frightening or comical visions of both. There is a long history in cinema of humanising the animal ('anthropomorphism') and animalising the human ('theriomorphism'), through hybrids of animal and human beings (werewolves, man-beasts from Greek myth), or animal and human behaviour, as when feeding (vampires, zombies) or in political behaviour (invading alien monsters). We will analyse the narrational methods, cinematic technologies, ethics, and politics of these films by looking at contemporary examples including Twilight, Daybreakers, Red Dragon, The Island of Dr Moreau, Splice, X-Men, Up!, Antz, Happy Feet, District 9 and Alien.

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  • There is an alternative history of cinema to the one written by Hollywood: this module sets out to explore the tremendous range of films made by avant-garde and experimental filmmakers, and to give a sense of cinematic imaginations unconstrained by the vicissitudes of commerce and conformity. The module will provide both a broad survey of the historical avant-garde, and to explore contemporary developments in experimental film and video.

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  • This module will provide an insight into the classic Hollywood cinema's approach to issues relating to female sexuality. It will investigate the studio star industry with case studies of female stars, including Mae West, Marlene Dietrich, Joan Crawford, Bette Davis, Rita Hayworth, Liz Taylor and Marilyn Monroe. It will trace the development of the depiction of gender and sexuality on screen within their socio-political contexts (such as the Hays Code).

    The module will explore the principal features of some of the archetypal ‘bad' women on screen, investigating the ideologies and aesthetics which have shaped the  cinematic representations of femininity. The module will also map the development of specific female archetypes on screen from the screen ‘goddess' or diva  (and her appeal for the male and female fans), through the stereotypes of the man-eating vamp and the female tramp to the child woman or ‘Lolita' type.

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You will have the opportunity to study a foreign language, free of charge, during your time at the University as part of the Kingston Language Scheme. Options currently include: Arabic, French, German, Italian, Japanese, Mandarin, Portuguese, Russian and Spanish.

We aim to ensure that all courses and modules advertised are delivered. However in some cases courses and modules may not be offered. For more information about why, and when you can expect to be notified, read our Changes to Academic Provision.

A copy of the regulations governing this course is available here

Details of terms dates for this course can be found here

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Location

This course is taught at Penrhyn Road

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Contact us

Admissions team

Location

This course is taught at Penrhyn Road

View Penrhyn Road on our Google Maps
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