|Full time||1 year||2 days a week||September 2017|
|Part time||2 years||1 day a week||September 2017|
This course is ideal if you are interested in pursuing imaginative, interdisciplinary, international museum study. It will advance your knowledge of contemporary developments in this vibrant and sophisticated area of culture, art and heritage industries, and provide you with transferable skills essential for the sector. Our underlying philosophy is to offer you a broad and engaging vision of, and approach to, contemporary museum, gallery and heritage practice, evaluation and innovating ideas around the institution and industry.
The course examines contemporary issues and practices, including collection, interpretation, exhibition, space, place and the city, audiences and communities, institutional purpose, scenario planning and sustainable futures. You will study taught modules covering critical analysis and creative practice, and conduct research around the broad themes and subjects addressed by each module. Modules have been developed in collaboration with, and are taught with museums such as the Museum of London, National Maritime Museum, V&A, and Kingston Museum and Heritage Service.
Essays, project work, portfolio, and dissertation (12,000–15,000 words).
You will study a series of dedicated taught modules that are concerned with issues of critical theory and analysis, research methodologies and creative practice. You will be expected to conduct research around the broad themes and subjects addressed by each module. This research will allow you to tailor your own path of study according to your particular interests and future aspirations.
The modules on this course have been developed in collaboration with several museums:
The Ideas and Institutions module is co-delivered and co-hosted by The Salisbury Museum.
The Learning and Experience module has been developed and is co-delivered in collaboration with the Brooklands Museum.
The Exhibition an Encounter module has been developed and is co-delivered in collaboration with the Museum of London.
The Challenge of Change is developed and delivered in collaboration with Kingston Museum and Heritage Service.
Find out more about the modules on this course.
The Museum and Gallery Studies MA is a critical and creative practice-based postgraduate programme of academic study. It is ambitious in its aim to:
Ideas of, and approaches to, practice are therefore central to the course, as are opportunities for engaging directly in experimental and creative practice-based research in both institutional and more-than-institutional contexts.
Located within the Faculty of Art, Design and Architecture, the MA programme of study engages across artistic, urban planning, architectural and design practices as offering alternative creative approaches to museum study and practice. Our genuinely interdisciplinary approach to creative practice is one of the unique features of our curriculum.
The programme develops through a strongly place-based approach to the contemporary museum. The broad aim is to:
Our place-based approach also draws on our location in London as a world city and museum metropolis. Place, locality, ecology and community are essential to museums and museum practices wherever they may be found and from whichever country our students might come from. The course aspires to be international in its scope and vision whilst always grounded in a sympathetic and progressive sense of place.
Please note that this is an indicative list of modules and is not intended as a definitive list. Those listed here may also be a mixture of core and optional modules.
As sites of continuous research and communication, museums and galleries are never complete. They are always found in the process of being made and re-made; ideas and things in the process of arrangement. This module establishes a progressive interdisciplinary framework for critically and creatively exploring museums and galleries as ideas and institutions based on creative, practice-based approaches to their making.
Experience is central to the performance of public museums, galleries and heritage sites, and to our understanding of them as complex learning environments. This module provides a stimulating and engaging context within which to explore learning and experience as a series of critical and creative practices. Museums, galleries and heritage sites are conceived and operated by a range of governmental and non-governmental agencies, organisations and institutions, by individuals and communities, often by a visiting and participating public, and in an enormously diverse range of social and spatial contexts. In this module, students explore and apply different approaches to learning by constructing an experience for visitors within and through a specific institution or site.
A predominantly rational, ordered approach to exhibition has been central to the conception of museums and galleries. This module introduces new ways to analyse and engage with the idea of display through an emphasis on exhibition as a more open and less didactic space of encounter and association, focussed on an ongoing re-imagining of display and exhibition through invention and experimentation. Extending our understandings of display, this module also explores creative approaches to the performance of heritage by engaging with experimental practices and forms of interpretation, expression and communication.
Museums, galleries and heritage are more than physical, immobile landmarks in the landscape; they are ongoing, place-based processes crafted from diverse and often dissonant human and non-human materials, sites, identities and narratives. Because of this they are constantly open to change. They change due to debates from within the field and a variety of drivers and pressures from outside. In many ways change, and meeting the challenge of change, lies at the very heart of ongoing questions of sustainability, relevance and innovation in the field. This module explores museum and heritage futures, locating development within a more progressive, expanded sense of policy and place. Social, economic, and legislative concerns pertinent to the field are some of the key themes developed here.
The Major Project is the main opportunity and culmination of the MA and most significant piece of work that students deliver on a masters programme. The Major Project provides you with the opportunity to craft your own approach to the field through critical-theoretical and/or creative, practice-based research. The Major Project can accommodate research projects developed through a range of academic and professional contexts depending on your motivation and interests; including work placements and other work-based opportunities. The Major Project can also provide a platform from which you can launch the next stage of your careers. Based on ideas of material thinking and creative practice the taught elements of the module provide you with a strong understanding of different aspects of contemporary practice of value to both academic and professional environments.
Keep in touch with news, events, awards and generally what's going on with the Museum and Gallery Studies MA at Kingston University.
You will have the opportunity to study a foreign language, free of charge, during your time at the University as part of the Kingston Language Scheme. Options currently include: Arabic, French, German, Italian, Japanese, Mandarin, Portuguese, Russian and Spanish.
We are a university associate of the Institute of Contemporary Art (ICA).