Search our site
Search our site

Critical Issues in Fashion: Research and Practice

  • Module code: HA5107
  • Year: 2018/9
  • Level: 5
  • Credits: 30
  • Pre-requisites: None
  • Co-requisites: None

Summary

This module builds on the historical and thematic content introduced at Level 4 and emphasises the theorisation of contemporary fashion practice. A series of lectures, seminars, workshops, tutorials, screenings and visits informs and supports your own emerging research interests and the development of independent visual and academic research skills that cross history/theory and design practise. Lectures and seminars will deepen critical and theoretical engagement with contemporary issues in fashion. Seminar tasks and assessments are carefully designed to foreground projects that support the location of fashion as a discipline. Research methodologies are introduced though case studies and practical activities that reflect the issues explored through the module's contemporary content.

Aims

  • To engage students with current practices and debates concerning contemporary fashion;
  • To provide students with a comprehensive understanding of key critical and theoretical positions in relation to the production, consumption and mediation of fashion;
  • To enable students to engage and reflect on research methodologies and critical approaches to fashion
  • To facilitate a greater reflective, critical and creative engagement with the study of fashion through objects, images and texts;
  • To encourage students to articulate their own experiences and interests as designers and researchers in relation to historical and contemporary concerns and to create an opportunity for students to identify and develop a chosen area of individual research useful and relevant to their practice.

Learning outcomes

On successful completion of the module, students will be able to:

  • Demonstrate a depth of knowledge of the current practices and critical debates concerning contemporary fashion;
  • Articulate and apply the ideas of a range of key critical and theoretical positions in relation to the production, consumption and mediation of fashion;
  • Present an informed and creative engagement with the ways fashion research can be approached methodologically;
  • Demonstrate a reflective, critical and creative engagement with fashion through visual, material and textual examples;
  • Articulate their own experiences as designers and researchers in relation to historical and contemporary concerns
  • Locate their own research practice and personal interests in a self-directed chosen area and identify personal research objectives and key resources.

Curriculum content

  • All Dressed and Made Up: Fashioning the Body and Appearance
  • Contemporary Meanings of Couture: Shows, Sponsors and Spectacle
  • The End of Fashion? Branding and Marketing
  • Fast Fashion: Ethics of the High Street
  • The Art, Tradition and Craft of Small-scale Production
  • The Future of Fashion: Technology, Fashion and Textiles
  • The Fashion Image; From Page to Screen
  • Fashion on Film: How Dress tells the Story
  • The Image Makers & Taste Shapers: Fashion Media and Dissemination
  • Clothing, Material Culture and Memory
  • Fashion Lives: Oral History and Interviewing
  • Exhibiting Fashion: Collecting, Display and Locating Fashion
  • Through the Wardrobe: Clothing Relationships & the Fashioned Self

Teaching and learning strategy

This module will integrate subject content and research skills through lectures, seminars tutorials, screenings and visits. Hands-on workshop seminars enable the application of research skills to explore a range of current issues affecting research and practice in contemporary issues in fashion. 

The module will make use of the Virtual Learning Environment (VLE) Canvas for communication and dissemination of information between students and staff as well as making online learning materials available to all. Students should check this site on a daily basis for module information, timetables, sign-ups, updates and additional information and teaching materials.

All courses based in the Kingston School of Art offer students free access to the online video tutorial platform Lynda.com. This provides a wide range of subjects to choose from, many with downloadable exercise files, including software tutorials covering photography, graphics, web design, audio and music, CAD and Microsoft Office software, as well as courses on Business and Management skills. Some of these are embedded in the curriculum and offer additional self-paced learning, others may be taken at will by students wishing to broaden their employability skills in other areas.

Breakdown of Teaching and Learning Hours

Definitive UNISTATS Category Indicative Description Hours
Scheduled learning and teaching Lectures, seminar discussions & workshops, tutorials, screenings, gallery & museum visits, and trips. Study Groups 44 44
Guided independent study 212
Total (number of credits x 10) 300

Assessment strategy

This module will be assessed through a 2500 word Essay (50%) and a Research Portfolio (50%). In the first part of this module students will produce an essay which responds to a set question relating to the issues, debates and themes explored during the course and developed through students' own disciplinary interests. The Research Portfolio is the repository for each student's response to set tasks, exercises and self-initiated research. This will include a range of tasks such as image and object analyses, an exhibition review, a photo essay. The research portfolio must include a dissertation proposal. The Dissertation Proposal that will serve to identify and locate an area of individual research related to the student's design practice and map out aims, objectives and resources to be investigated in future study at Level 6.

BA Art and Design History & Practice students only:

BA Art and Design History and Practice students will submit a 2500 word Essay (50%) and a Research Portfolio (50%).  In the first part of this module students will produce an essay which responds to a set question relating to the issues, debates and themes explored during the course and developed through students' own disciplinary interests. The Research Portfolio is the repository for each student's response to set tasks, exercises and self-initiated research. This will include a range of tasks such as image and object analyses, an exhibition review and a photo essay.

The Research Portfolio must include either a Dissertation Proposal or a Critical Reflection (both approximately 1200 words). Only one of these forms of assessment can be submitted per HA51.. module, and each can only be submitted once across both modules. The Dissertation proposal will serve to identify and locate an area of individual research related to the student's design practice and map out aims, objectives and resources to be investigated in future study at Level 6. The Critical Reflection allows students to reflect on the hybridity of their course, to evaluate the similarities and differences in methods and ideas encountered across the Level 5 modules and to consider the influence that this cross disciplinary learning may have had on their research interests as they prepare to progress to Level 6.  Students will be supported in group tutorials in their HA51..modules at the end of Teaching Block 1, to make a decision about which module they will submit their dissertation proposal to.

Incoming Erasmus students only:

Erasmus students studying for 1 year will submit a 2500 word Essay (50%) and a Research Portfolio (50%).  In the first part of this module students will produce an essay which responds to a set question relating to the issues, debates and themes explored during the course and developed through students' own disciplinary interests. The Research Portfolio is the repository for each student's response to set tasks, exercises and self-initiated research. This will include a range of tasks such as image and object analyses, an exhibition review and a photo essay.

Erasmus students studying for one teaching block (TB1 or TB2) will have an option of submitting either the 2500 Essay or the Research Portfolio.  The Research Portfolio will include a range of tasks such as image and object analyses, an exhibition review and photo essay.  This will need to be discussed and agreed with the student's Personal Tutor or Course Leader.

 Feedback and feed forward will be provided for elements of the research portfolio, as these are initiated as part of scheduled teaching activities.

Mapping of Learning Outcomes to Assessment Strategy (Indicative)

Learning Outcome Assessment Strategy
1) Demonstrate a depth of knowledge of the current practices and critical debates concerning contemporary fashion; Essay (2,500 words) Research Portfolio
2) Articulate and apply the ideas of a range of key critical and theoretical positions in relation to the production, consumption and mediation of fashion; Essay (2,500 words) Research Portfolio
3) Present an informed and creative engagement with the ways fashion research can be approached methodologically Essay (2,500 words) Research Portfolio
4) Demonstrate a reflective, critical and creative engagement with fashion through visual, material and textual examples. Essay (2,500 words) Research Portfolio
5) Articulate their own experiences as designers and researchers in relation to historical and contemporary concerns Research Portfolio
6) Locate their own research practice and personal interests in a chosen area and identify key objectives and resources. Research Portfolio

Elements of Assessment

Description of Assessment Definitive UNISTATS Categories Percentage
Essay (2,500 words) Coursework 50%
Research Portfolio (Including Dissertation Proposal) Coursework 50%
Total (to equal 100%) 100%

Achieving a pass

It IS NOT a requirement that any element of assessment is passed separately in order to achieve an overall pass for the module.

Bibliography core texts

Fashion Theory: The Journal of Dress, Body & Culture, Berg

Barnard, Malcolm (2007) Fashion Theory: A Reader, Routledge

Craik, J. (2009) Fashion: The Key Concepts, Berg

English, B. (2012) A Cultural History of Fashion in the 20th and 21st Centuries: From Catwalk to the Sidewalk, Berg.

Taylor, L. (2002). The Study of Dress History. Manchester: Manchester University Press Welters, L. & Lillethun A. (Eds), (2011) The Fashion Reader (2nd Ed), Berg

Kawamura, Y. (2011) Doing Research in Fashion & Dress: An Introduction to Qualitative Methods Berg

Bibliography recommended reading

Agins, T. (2000) The End of Fashion: How Marketing Changed the Fashion Business Forever, First Quill.

Arnold, Rebecca (2001) Fashion, Desire and Anxiety: Image and Morality in the Twentieth Century. London: I.B. Tauris

Ash, J. & Wright, L. (1988) Components of Dress: Design, Manufacturing, and Image-making in the Fashion Industry, Routledge

Attfield, J. (2000) Wild Things: The Material Culture of Everyday Life. London: Berg.        

Banim, M., Green, E., & Guy, A. (2003) Through the Wardrobe: Women's Relationships with Their Clothes, Berg

Barthes, Roland (1985) The Fashion System London: Jonathan Cape

Barthes, R., & Carter, M. (2006) The Language of Fashion, Berg

Breward, Chris (2003) Fashion. Oxford: OUP

Breward, C. (1995) The Culture of Fashion Manchester University Press

Breward, C., & Evans, C., (eds) (2005). Fashion and Modernity London: Berg

Breward, C., & Gilbert, D. (2006) Fashion's World Cities Berg

Breward, C., Conekin, B., & Cox, C. (Eds.) (2002)  The Englishness of English Dress Berg

Bruzzi, S. & Church Gibson, P. (eds) (2000) Fashion Cultures: Theories, Explorations and Analysis. London: Routledge.

Burman, B. (1999) The Culture of Sewing: Gender, Consumption and Home Dressmaking, Berg.

Burns, L D. (2002) The Business of fashion: designing, manufacturing, and marketing, New York: Fairchild

Carter, M. (2003) Fashion Classics from Carlyle to Barthes, Berg.

Cavallaro, D., & Warwick, A. (1998) Fashioning the Frame: Boundaries, Dress & the Body Berg

Church-Gibson, P. (2011) Fashion & Celebrity Culture, Berg

Craik, J. (1993) The Face of Fashion London: Routledge

Davis, F. (1992) Fashion, Culture, and Identity, University of Chicago Press.

Griffiths, I. & White, N. (2000) The Fashion Business: Theory, Practice, Image, Berg

Eicher, Joanne B., Evenson, Sandra Lee and Lutz, Hazel A. (2008) Visible Self: Global Perspectives on Dress, Culture, and Society (3rd Edition), Berg

Eicher, Joanne B., Johnson, Kim K. P, Torntore, Susan J (2003), Fashion Foundations: Early Writings on Fashion and Dress, Berg.

Entwistle, J., & Wilson, E. (2001) Body Dressing Berg

Entwistle, J, (2009) The Aesthetic Economy of Fashion: Markets and Value in Clothing and Modelling Berg

Entwistle, J. & Wissinger, E. (2012) Fashioning Models: Image, Text & Industry, Berg

Ewen, Stuart & Elizabeth, (1992) Channels of Deisre: Mass Images and the Shaping of America 

Fletcher, K. (2008) Sustainable Fashion and Textiles: Design Journeys, Earthscan

Finkelstein, Joanne (1991) The Fashioned Self

Gaines, C & Herzog, C (1900) Fabrications: Costume and the Female Body

Harrison, Martin (1991) Appearances: Fashion Photography since 1945

Jobling, Paul (1998)Fashion Spreads, Berg, 1998

Johnson, K., Torntore, S. & Eicher J. (Eds.) (2003) Fashion Foundations: Early Writings on Fashion & Dress,  Berg

Kawamura, Y. (2005) Fashionology: An Introduction to Fashion Studies, Berg

Keenan, W., (2001)  Dressed to Impress: Looking the Part, Berg

Kuchler, S. & Miller D. (2005) Clothing as Material Culture, Berg.

Lehmann, Ulrich (2002) Chic Clicks: Creativity and Commerce in Contemporary Fashion Photography New York: ICA

McNeil, P., Karaminas, V., Cole, C. (2009) Fashion in Fiction: Text and Clothing in Literature, Film & Television, Berg

McNeil, P., Karaminas, V. (2009) The Men's Fashion Reader,  Berg

McRobbie, A, (1998) British Fashion Design: Rag Trade or Image Industry? Routledge

Miller, J. (2011) Fashion & Music, Berg

Palmer, A. & Clark, H. (2005) Old Clothes, New Looks: Second Hand Fashion, Berg

Ribeiro, A. (2003) Dress and Morality,  Berg

Rocamora, A. (2009) Fashioning the City: Paris, Fashion and the Media, I.B Tauris

Rose, G. (2001) Visual Methodologies: An Introduction to the Interpretation of Visual Materials. London: Sage.

Sanders, M, Poynter, P & Derrick, R (eds) (2000)  The Impossible Image: Fashion Photography in the Digital Age London: Phaidon

Shinkle, Eugenie. (2008) Fashion as Photograph; Viewing and Reviewing Images of Fashion, London: I.B.Tauris

Troy, N. (2003) Couture Culture: A Study in Modern Art and Fashion, MIT Press

Quinn, B. (2002) Techno Fashion, Berg

Quinn, B. (2003) The Fashion of Architecture Berg

Vinken, B. (2005) Fashion Zeitgeist: Trends and Cycles in the Fashion System, Berg. Waddell, G. (2004) How Fashion Works: Couture, Ready-to-Wear and Mass Production, Blackwell Science

White, Nicola (2000), Reconstructing Italian Fashion: America and the Development of the Italian Fashion Industry, Berg.

Wilson, E., (2009) Adorned in Dreams: Fashion & Modernity (Rev) I.B. Tauris

Woodward, S. (2007) Why Women Wear What They Wear Berg

Find a course

Course finder

Find a course
>