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Image & Text - Communication Design History for Graphic Design

  • Module code: HA4110
  • Year: 2018/9
  • Level: 4
  • Credits: 30
  • Pre-requisites: None
  • Co-requisites: None

Summary

The module is an introduction to the history and critical study of graphic design. It will provide students with an understanding of the historical development of graphic design within the larger field of cultural production, and an awareness of core debates and concepts in the history of art and design.

Through a series of thematic sessions, students will reflect on what might be key stages in the history of graphic design; unpack the images, objects, and processes of graphic design and the different ways in which they mean; and engage with the ideas and practices that have shaped graphic design as a social, cultural, and economic activity.

Through discussion, students will develop an understanding of the key themes and critical issues that inform contemporary design practices. They will be able to examine the relationship between theory and practice in graphic design and start developing their skills as independent researchers and reflective practitioners.

Aims

  • To provide a historical and critical framework for students' own work and practice;
  • To introduce a thematic history of the development of design for communication and media;
  • To explore the relationship between theory and practice in design;
  • To consider the role of changing technologies in the production and consumption of design imagery across various media;
  • To engage the historical and critical position of the designer and to engage students in the activities of research and writing.

Learning outcomes

On successful completion of the module, students will be able to:

  • Identify key historical issues and debates that have informed the understanding of design for communication and media within modernity;
  • Convey a contextualised understanding of their own work and practice;
  • Describe some of the theoretical concepts through which design for communication and media has been understood;
  • Convey an understanding of the relationship between design and technology;
  • Describe and analyse visual and material examples;
  • Convey their knowledge and understanding in writing.

Curriculum content

  • The historical development of the graphic arts and imagery from 1850 to the present day
  • The evolution of illustration, graphic design, photography and screen-based design professions
  • The role of changing production technologies and techniques in the development of image and text production and reproduction
  • The graphic arts and mass media
  • The development of moving imagery and animation
  • Modernism and Postmodernism in art, design and communication
  • The evolution of 'popular' mass imagery
  • Theorizing the consumption of mass media and imagery
  • Image and consumer culture
  • The emergence of 'new' media

Teaching and learning strategy

Image-based lectures, discussions, screenings and study visits are used to introduce and develop the content of the module. These are used to explore key ideas and examples, and provide the reference point for course reading, and the assessment tasks. An individual research journal which is self-directed underpins student learning, and offers an opportunity for self-reflection and connection to studio-based learning.  The module will make use of the Virtual Learning Environment (VLE) Canvas for communication and dissemination of information between students and staff as well as making online learning materials available to all.

All courses based in the Kingston School of Art offer students free access to the online video tutorial platform Lynda.com. This provides a wide range of subjects to choose from, many with downloadable exercise files, including software tutorials covering photography, graphics, web design, audio and music, CAD and Microsoft Office software, as well as courses on business and management skills. Some of these are embedded in the curriculum and offer additional self-paced learning, others may be taken at will by students wishing to broaden their employability skills in other areas.

Breakdown of Teaching and Learning Hours

Definitive UNISTATS Category Indicative Description Hours
Scheduled learning and teaching image-based lectures, discussions, screenings and study visits 44
Guided independent study 256
Total (number of credits x 10) 300

Assessment strategy

The first assessment allows students to display their developing academic skills in research, writing, and visual analysis in the context of introductory themes of the module. The assessment emphasises skills in assembling images, text and key concepts, and understanding relations between them. These skills are further developed in the second assessment, where a more integrated approach to images, text and concepts is developed in a longer piece of writing. Feedback received from the first assessment feeds forward into the second assessment, which allows for development of key academic skills.

1)    1000 word piece of writing (20%), formative and summative;

2)    Essay of 2000 words (80%), summative.

Mapping of Learning Outcomes to Assessment Strategy (Indicative)

Learning Outcome Assessment Strategy
1) Identify key historical issues debates that have informed the understanding of design for communication and media within modernity; 1) 1000 word piece of writing 2) Essay
2) Convey a contextualised understanding of their own work and practice; 1) 1000 word piece of writing 2) Essay
3) Describe some of the theoretical concepts through which design for communication and media has been understood; 1) 1000 word piece of writing 2) Essay (2000 words)
4) Convey an understanding of the relationship between design and technology; 1) 1000 word piece of writing 2) Essay (2000 words)
5) Describe and analyse visual and material examples; 1) 1000 word piece of writing 2) Essay (2000 words)
6) Convey their knowledge and understanding in writing. 1) 1000 word piece of writing 2) Essay (2000 words)

Elements of Assessment

Description of Assessment Definitive UNISTATS Categories Percentage
1000 word piece of writing Coursework 20%
Essay, 2000 words Coursework 80%
Total (to equal 100%) 100%

Achieving a pass

It IS NOT a requirement that any element of assessment is passed separately in order to achieve an overall pass for the module.

Bibliography core texts

Aynsley, J (2001)  A Century of Graphic Design, London: Mitchell Beazley

Barthes, R (1977) Image/Music/Text, Glasgow: Fontana

Cobley, P (1996) The Communication Theory Reader, London: Routledge

Fiske, J (1986)  Introduction to Communication Studies, London: Routledge

Heller, S. (ed) (2000) The Education of an Illustrator, New York; Allworth Press

Hyland, A (2003) Hand to Eye: Contemporary Illustration, London: Laurence King

Jobling, P & Crowley, D (1996) Graphic Design: Reproduction and representation since 1800, Manchester; MUP

Mirzoeff, N (ed) (2002) Visual Culture Reader, London: Routledge (Updated and Revised)

Wells, L. (ed) (2003) Photography: A Critical Introduction, London: Routledge, 3rd Ed

Bibliography recommended reading

Aynsley, J (2000) Graphic Design in Germany, 1890-1945, London: Thames and Hudson

Bierut, M. et. al. (2007) Looking Closer: Classic Writings on Graphic Design, New York: Allworth Press (series)

Cummings, N (2000)  The Value of Things, London: Birkhauser

Greenhalgh, P (ed) (2000) Art Nouveau, 1890-1914, London: V&A Publications

Ford, H. & (2003) The New Handmade Graphics: Beyond Digital Design, Hove: Rotovision

Forty, A (1986) Objects of Desire: Design and Society Since 1750, London; Thames and Hudson

Heller, S & Vienne V (2003) Citizen Designer: Perspectives on Design Responsibility, New York: Allworth Press

Kress, G & (Van Leeuwen, 1996) Reading Images: The Grammar of Visual Design, London: Routledge

Meggs, P (1992) A History of Graphic Design, London; Chapman & Hall

Purcell, K (2002) Alexey Brodovitch, London: Phaidon

Scott, D (2011) Poetics of the Poster, Liverpool

Slater, D (1996) Consumer Culture and Modernity, Cambridge: Polity Press

Sparke, P (2004) An Introduction to Design and Culture in the 20th Century, London: Routledge

Sonka, M et. al. (2008) Image processing, analysis, and machine vision 

Strinati, D (2004) An Introduction to Theories of Popular Culture, London: Routledge (2nd Edition)

Williamson, J (1976)   Decoding Advertisements, London: Marion Boyars

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