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Key Concepts: Research, Interpretation & Communication

  • Module code: HA4201
  • Year: 2018/9
  • Level: 4
  • Credits: 30
  • Pre-requisites: None
  • Co-requisites: None

Summary

This module focuses on key methods in the processes of research and its interpretation and communication. Through a series of thematically structured, contemporary focused encounters with key artefacts, texts, events and sites from the late 19th century to the present, it aims to develop students' knowledge and skills in a range of methods related to the history and theory of the production, consumption and mediation of art and design. The module interrogates core concepts in the disciplines of art and design history and theory and introduces key methods for the identification and interpretation of research material, including: conducting oral history, using archives, and employing material culture and gendered approaches to objects. The module also introduces students to key methods in communicative and interpretative activities such as different curation and critical writing modes. This combination of methods will connect their research-based practice to contemporary audiences interested in art and design past and present, providing be key skills for professional careers. Finally, the module will develop students' critically informed awareness of their own research-based practice.

Aims

  • To create an intellectual framework for understanding the disciplines of art and design history
  • To explore and utilise a range of research methodologies for the identification and interpretation of primary and secondary sources
  • To provide an introduction to oral, visual and written communicative and interpretative methods including curating and critical writing modes.
  • Develop students' self-reflective research-based practice

Learning outcomes

On successful completion of the module, students will be able to:

  • Apply research skills to explore and articulate contemporary issues in the history and theory of art and design from the late 19th century to the present
  • Demonstrate a disciplinary understanding of art and design history and theory
  • Demonstrate understanding and skills in methods for the visual, verbal and written interpretation and communication of research including curation and critical writing modes
  • Demonstrate understanding of themselves as research-based practitioners
  • identify individual interests in relation to the art and design practice, history and theory

Curriculum content

  • historiography: the development of the history and theory of art and design as disciplines; contemporary art and design history
  • research methodologies: locating, interpreting and presenting primary and secondary research material
  • Interpreting objects: cultures of production; commodities; thing theory; objectification;
  • approaches: gender; material culture; Marxism; globalism
  • research themes: time; place; originality; subjects; the self
  • communication and display: collecting; curation
  • writing modes: academic; journalism; reviews; blogs; reports

Teaching and learning strategy

  • historiography: the development of the history and theory of art and design as disciplines; contemporary art and design history
  • research methodologies: locating, interpreting and presenting primary and secondary research material
  • Interpreting objects: cultures of production; commodities; thing theory; objectification;
  • approaches: gender; material culture; Marxism; globalism
  • research themes: time; place; originality; subjects; the self
  • communication and display: collecting; curation
  • writing modes: academic; journalism; reviews; blogs; reports

Breakdown of Teaching and Learning Hours

Definitive UNISTATS Category Indicative Description Hours
Scheduled learning and teaching Lectures, seminars, visits, workshops, individual and group tutorials 44
Guided independent study 256
Total (number of credits x 10) 300

Assessment strategy

The module places emphasis on methods and approaches to art and design history and its communication.  Students will develop their ideas for their portfolio essay through an assessed verbal and visual presentation. Students will develop their individual research project through a portfolio of written components that could include a visual essay, exhibition text, blog entry and book review, poster and research toolkit.

Mapping of Learning Outcomes to Assessment Strategy (Indicative)

Learning Outcome Assessment Strategy
1) Apply research skills to explore and articulate contemporary issues in the history and theory of art and design from the late 19th century to the present Presentation and Portfolio
2) Demonstrate a disciplinary understanding of art and design history and theory Portfolio
3) Demonstrate understanding and skills in methods for the interpretation and visual, verbal and written communication of research including curation and critical writing modes Presentation and Portfolio
4) Demonstrate understanding of themselves as research-based practitioners Portfolio
5) Identify individual interests in relation to the art and design practice, history and theory Presentation and Portfolio

Elements of Assessment

Description of Assessment Definitive UNISTATS Categories Percentage
Presentation Practical Exam 30%
Portfolio Coursework 70%
Total (to equal 100%) 100%

Achieving a pass

It IS NOT a requirement that any major assessment category is passed separately in order to achieve an overall pass for the module.

Bibliography core texts

D'Alleva, A. (2010) How to Write Art History. London, Lawrence King.

Dean, D., (1997) Museum Exhibition, Theory and Practice, London, Routledge,

Holly M. and Smith, M., (2008) What is Research in the Visual Arts? Obsession Archive, Encounter, Clark Institute, Yale University Press

Lees-Maffei, G. and Rebecca Houze (eds), (2010) The Design History Reader. Oxford, Berg.

Bibliography recommended reading

Adamson, G. (ed.) (2010) The Craft Reader, Oxford, Berg.

Attfield, J, (2000) Wild Things: The Material Culture of Everyday Life, Oxford, Berg.

Austin, J., How to do things with words, Harvard University Press: 1962.

Barry, P., (1995) Beginning Theory: An Introduction to Literary and Cultural Theory, Manchester, Manchester UP.

Barthes, R., (1967) Writing Degree Zero, London, Jonathan Cape.

Bourriaud, N. (2002) Relational Aesthetics, Dijon, Presses du Réel.

Clark, H. & Brody, D. (2009) Design Studies: A Reader, Oxford, Berg.

Creswell, J.W. , (1994) Research Design: Qualitative and Quantitative Approaches, Sage Publications, London.

Derrida, J., (2004) Writing and Difference, London, Routledge.

Emmison, M., P. Smith, M. Mayall, (2000) Researching the Visual: Introducing Qualitative Methods. London, Sage Publications.

Fusco, M., Hunt, I. (eds.), (2004) Put About: A Critical Anthology of Independent Publishing, Book Works.

Greenberg, R., Bruce Ferguson, Sandy Nairne, (1996) Thinking about Exhibitions, London, Routledge.

Harrison, C. and Wood, P (eds.), (2002) Art in Theory 1900-2000, Oxford, Blackwell.

Kirkham, P. (ed.), (1996) The Gendered Object, Manchester, Manchester UP.

Lees-Maffei, G. (ed.) (2012) Writing Design: Words and Objects, London, Berg.

Margolin, V., (2002) The Politics of the Artificial: Essays on Design and Design Studies, Chicago, Ill.; London: University of Chicago Press.

Miller, D., (1987) Material Culture and Mass Consumption, Oxford, Blackwerll.

Mirzoeff, N., (1998) An Introduction to Visual Culture, London, Routledge.

Pointon, M., (1980) History of Art: A Students' Handbook, London, Routledge.

Rose, G., (2001) Visual Methodologies: An Introduction to the Interpretation of Visual Material, London, Sage.

Stallabrass, J. (2004) Art Incorporated: The Story of Contemporary Art, Oxford, Oxford UP.

Taylor, L. (2002) The Study of Dress History, Manchester, MUP.

Thomson, A., (1996) Critical Thinking - A Practical Introduction, London, Routledge.

Walker, J., (1989) Design History and the History of Design, London, Pluto Press.

Wells, L. (ed.) (2009) Photography: A Critical Introduction, London, Routledge.

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