Miss Kelly (Tala Cloudwatcher) Brown

Research project: A quiet revolution

Abstract

My research is essentially an Ontological, epistemological investigation of my practice. This practice-based PhD, utilises an understanding of Design futures and craft in the Anthrpocene. It also utilises the term 'emancipatory praxis' and centres around 'concern' (concern for the planet and the quality of our lives).  Embedded in my research is an understanding of Ontology and self-photography as a methodology My practice-based research involves an analysis of myself, my 'making'' and my persona. This aspect focuses on sustainable Fibre arts (Weaving, natural dyeing and spinning) 'folk fashion', sustainable clothes making and is inspired by the Samurai culture of Japan and Japanese commitment to sustainability, and clothing that creates little waste. My research will involve going to Kyoto, to learn from Japanese makers in a non-hierarchical way. My focus is on Japanese working class clothing and Kimonos and western minimal waste clothes making that intuitively creates a garment from what material is   available from local sources in south London but also the making of fabric by weaving, spinning, natural dyes, and screen printing. Emancipatory practice is not for sale objects. My practice focuses on utilitarian and functional garments. 

The inspiration for my research, entitled 'a quiet Revolution', is the intersection of emancipation and making. As identified by Paulo Freire, who felt that we could be empowered if we wrestle back our creative capacity, and ability to make, from Capitalism. My intention is to create a wardrobe of clothing akin to 'folk clothing' for my persona, Tala Cloudwatcher', over the course of my PhD Research and create self-photography images that both document and represent. Thriving is a large part of my analysis ', and I will be exploring community, clothes as a commons The methodologies explored will be- Saori loom weaving, and experimenting with natural dyes, screen printing, self-photography as well as process photography and the making of  Japanese inspired working clothes and Kimonos. It's a feminist Ontological exploration.