This research project provides a historico-ontological art-critical account of Yoko Ono's art to argue that it at once maintains a resistance to established modes of artistic autonomy and sustains its critical social function. Examined within the context of the post-war political climate, artistic debates and socio-historical grounds of the 1960s, which Ono rebelled against through a unique re-working of modernist art, in tandem with the ontological break and linguistic turn of the time, the research explicates how Ono problematized formal, structural and ontological characteristics of traditional media, on the one hand, and utilized traditional social mediations on the other, to question the notion of authority in the institutional and social context of art and redefine the art and economic system's notion of production and distribution. In doing so, the project theorizes Ono's method of ‘instructionalization' as a method of dialectical reversal and a practice of critical reflection and individual, institutional and societal reform to demonstrate its significance as a model for an ontological analysis of Conceptual Art.
I am an art and dance historian, critic, and curator. Formerly an art, dance and film critic at Blouin Artinfo and Modern Painters, I publish broadly across academic, critical and curatorial readership on the intersection between art, dance, film, philosophy and psychoanalysis. I am a member of the International Association of Art Critics, the European Society of Aesthetics, and the British Society of Aesthetics. Solo exhibitions I have curated include YOKO ONO: LOOKING FOR... (2019); Liliane Lijn: Early Events, Five Narrative Sculptures (2017); Gustav Metzger: Dancing Tubes Interventions (2015), and Yoko Only: P.J. van Sandwijk's Photographs of The Plastic Ono Band (2014 & 2013). I am the convener of the first Yoko Ono International Symposium that took place at the University of Cambridge (2019). To date, my research and curatorial project has been supported by the Henry Moore Foundation; Great Britain Sasakawa Foundation; Emily Harvey Foundation, and British Society of Aesthetics.
Daris, Gabriella ed. (2017) Liliane Lijn: Early Events, Five Narrative Sculptures. Edinburgh, Scotland: Summerhall. ISBN 978-1-9998109-0-0
Daris, Gabriella (2017) Liliane Lijn's Fragments of Memories and The Fragmented Body. In: Liliane Lijn: Early Events, Five Narrative Sculptures. Edinburgh, Scotland: Summerhall, pp. 1-12. ISBN 978-1-9998109-0-0
Daris, Gabriella (2017) Anagnosis of Hysteria: Bibliothèque/Amphithéâtre/Shrine Charcot. Performance Research journal (On Libraries) 2 (2), pp. 122-129. ISSN 1352-8165
Daris, Gabriella (2016) Holy Corners Golf Club: Golf balling as foreplay. Performance Research journal (On Game Structures) 21 (4), pp. 134-136. ISSN 352-8166
Daris, Gabriella (2015) Concerning the spiritual in Jaakko Mattila's art. In: Jaakko Mattila (Tokyo: youkobo art space), pp. 4-5. ISBN 978-4-9908274-1-0
Daris, Gabriella (2015) The veil of ignorance or unveiling Yoko Ono's Cut Piece. In: Scene: Critical Costume, 2 (1-2), pp. 133-145. ISSN 2044-3714
Daris, Gabriella (2014) Instructions as Consensus: Yoko Ono's Fictional Rules. Hysteria, 2. London, U.K.: Square Knot, n.p.
Daris, Gabriella (2013) A journey through the neck of the womb: Annie Sprinkle's Public Cervix Announcement. The Spanner quarterly (On Socking), 9. London, U.K.: Unbound, pp. 4. ISSN 2049-1816
Daris, Gabriella (2013) Doors of Perception: The Thin Veil. In: Kinetica Art Fair 2013. London, U.K.: Kinetica Museum, pp. 28-29
Daris, Gabriella, ed. (2013) Tarik Berber: Heterotopias of Time. London, U.K.: Square Knot.
Daris, Gabriella, Collete, Charles, Melville, Anthony trans. (2013) Pope Joan: A Historical Study. The Journal of the London Institute of Pataphysics, 7 (140). London, U.K.: Atlas Press. ISBN 13:978-1-900565-19-6
Daris, Gabriella (2019) Yoko Ono's Concept of Change. In: Cambridge Festival of Ideas; 14-27 October 2019, Centre for Research in the Arts, Social Sciences and Humanities (CRASSH), University of Cambridge, Cambridge, UK. (Unpublished)
Daris, Gabriella (2019) The body of Christ qua the body of the cathedral: decoding the conceptual space of Michael Clark's Five Wounds. In: 21st International Congress of Aesthetics; 22-26 July 2019, Belgrade, Serbia. (Unpublished)
Daris, Gabriella (2018) Occult Portraiture: Exploring the notion of the presence of absence in the work of Michael Clark. In: Portraiture: An Interdisciplinary Conference; 13-15 July 2018, Durham, U.K. (Unpublished)
Daris, Gabriella (2017) Theatres of Air: Staging Metaphysics. Rousseau, Artaud, Klein, Ono. In: Theatricality and the Arts Symposium; 23-24 Sep 2017, Lancaster, U.K. (Unpublished)
Daris, Gabriella (2017) Pausing the dying or posing for death? Deciphering the hieroglyphs in Evgenii Bauer's The Dying Swan. In: Death & the Maiden Conference; 21-24 July 2017, Winchester, U. K. (Unpublished)
Daris, Gabriella (2016) Breathing Space: Void and the Corporeality of Air in the Work of Gustav Metzger. In: 42nd Association of Art Historians Conference; 7-9 April 2016, Edinburgh, Scotland (Unpublished)
Daris, Gabriella (2015) Gustav Metzger's Dancing Tubes. In: #21 Performance Studies international Conference; 18-23 May 2015, Santorini, Greece. (Unpublished)
Daris, Gabriella (2011) Mother Earth Mediations: Turning Landscapes into Bodyscapes. In: Imagining Spaces/Imagining Places Conference; 24-26 August 2011, Helsinki, Finland. (Published)