Through analysis of archival and collection materials at the Ben Uri Research Unit and other holdings in the UK, Germany and Austria, I am investigating the diverse roles that émigré art dealers played from 1933 to 1960 in the opening up of the British art world to engage with new forms of modern and contemporary art (both local and international), innovative gallery systems, and the forging of links between distinct refugee communities, and national and international artists and collectors. It will establish key figures including Gustav Delbanco and Henry Roland, Francis Matthiesen, Paul Wengraf, Harry Fisher and Frank Lloyd, Jack Bilbo, Andras Kalman, William Ohly, Alfred Flechtheim, Charles and Peter Gimpel, and Erica Brausen, Annely Juda, Lea Bondi Jaray, Halima Nalecz and Monika Kinley. Outcomes will be a written thesis, an online resource of oral history interviews and an exhibition.
I studied my BA in English Literature at the University of Exeter (2008-2011) before going on to do an MA in History of Art at the University of Warwick, with a thesis on the representation of women in Renaissance Venetian oil painting (2011-2012).
I spent a year at the Royal Academy of Arts as the Architecture Programme Co-ordinator before working as Curatorial Assistant, then Assistant Curator of Twentieth-Century and Contemporary Collections at the National Portrait Gallery. In this role I worked on artist commissions, curated temporary displays, contributed towards exhibition publications, conducted a provenance and spoliation project, and managed research activity.