Media and Communication MA

Why choose this course?

The course is suitable for all professions in the media industries. It covers a wide range of communications, marketing, PR, advocacy, problem-solving, and creative skills.

A critical understanding of today's media landscape and communication practices enables you to develop a versatile and rich portfolio of media works while investigating new developments in analogue and digital media, and in emerging fields, such as the VR industry, algorithmic governance, experience design, social media psychology, and digital content creation.

Through option modules, and the choice between a written or practice-based dissertation, you can research chosen areas in greater depth under the supervision of academic mentors and personal tutors.

Mode Duration Start date
Full time 1 year September 2024
Full time 2 years including professional placement September 2024
Part time 2 years September 2024
Main location Penrhyn Road

Reasons to choose Kingston University

  • Our curriculum covers the recent developments in media technologies, industries and cultures, both locally and globally.
  • Develop a portfolio of multi-media works through authentic assessments based on real-world contexts.
  • A diverse and multicultural learning environment with a student body from different backgrounds, countries, occupations and experience of media.

The Art School Experience

As part of Kingston School of Art, students on this course benefit from joining a creative community where collaborative working and critical practice are encouraged.

Our workshops and studios are open to all disciplines, enabling students and staff to work together, share ideas and explore multi-disciplinary making.

Two students collaborate on a design project.

What you will study

This course is designed to provide a critical overview and survey of today's media landscape and media environments. The coursework is a mixture of academic research and media practice, allowing you to build a wholesome professional portfolio of media projects.

The classroom teaching is supported by extracurricular activities including journalism lectures, publishing masterclasses, marketing and media industries events, and organised educational visits to media hubs in and around London.

You'll have to take three compulsory modules, including a dissertation, worth 120 credits in total, and then choose from two optional modules worth 30 credits each. In total you'll have to complete 180 credits.

Please note that this is an indicative list of modules and is not intended as a definitive list.


Optional placement year

The compulsory core modules provide you with a comprehensive grounding in the theoretical and empirical approaches to studying media institutions, texts and communication practices.

With a broad choice of option modules, you can specialise in research areas that interest you, and examine various media industries and communication practices within their historical, economic, political and social contexts.

Core modules

Media and Communication Dissertation

60 credits

This module enables students to demonstrate their ability to undertake a sustained piece of independent project in media and communication at an advanced level on a topic of their choice agreed in conjunction with their dissertation supervisor. Dissertations may be based on some primary research into a particular case study, archive or canon in combination with an engagement with secondary material, criticism or literature review. Students can either undertake a standard dissertation (12- 15,000 words) or a practice-based dissertation (plus a maximum of 5,000 word reflection on practice and/ or the creative process). The second part of MD7001 provides the teaching for this module, and covers research skills such as constructing a proposal, editing and composition, reflection on practice, referencing, and on online and electronic research methods.

Media and Globalisation

30 credits

The culture of the West is no longer the sole driver of globalisation. All nations around the world are enjoined to compete on multiple media platforms and cultural arenas where culture and economy are conjoined across globalized communications networks. At the same time, even as national cultures seek to position their ‘brands' in the global ‘marketplace', they are challenged by trans- and post-national corporations, particularly new media companies among the wealthiest in the world.

The rise of popular social and nationalist movements contesting the inequalities represented by these elites take place, similarly, across global media networks. This module explores the current debates around the cultural politics of the new globalization that is continually being transformed by the radical changes being introduced by technological ‘disruptions' that have collapsed familiar spatial and temporal dimensions of the world. Through addressing pertinent theoretical perspectives and case studies from different parts of the world, the module examines the political, social, cultural and moral issues that arise in the context of the new realities and conflicts being produced and facilitated by globalized media and communication.

From Mass Media to New Media: Theories, Approaches, Applications

30 credits

This module provides a broad-based exploration of the conceptual history of electronic and digital media technologies and their effect on society, culture and politics. Contemporary case studies from everyday media are used to evaluate the usability of different theoretical frameworks discussed in the first part of the module. These are organised into three major topics.

1) The transition to managerial governance, cultural politics, consumer cultures and the media industries.

2) The analogue-digital interface in media aesthetics and media art.

3) Emerging trends in theorising new media and digital cultures.

Optional modules

Freedom, Censorship and Subversion

30 credits

This one-semester module is an elective primarily offered to students taking an MA in Media & Communication or an MA in Film but it is also relevant to those taking postgraduate degrees in politics, political communication, human rights and conflict. It deals with some of the most hotly-debated issues in different societies about how to balance core freedoms (expression, press and protest) with the state protecting what and who may be potentially harmed by certain forms of expression through censorship. Even then, these remain open debates as new forms of subversion and resistance emerge with new technologies or through the use of the body to express protest. The module explores these at two levels. The first outlines different approaches to, and principles governing, censorship depending on whether expression is through images, words, ideas and beliefs, information or action. These are then explored more deeply in sessions that draw on staff specialisms, for instance, in film, news, information-privacy and protest movements.

Creating Magazines: Content and Context

30 credits

This module aims to provide you with the practical skills necessary to work as successful journalists, underpinned by an understanding of the constraints and tensions inherent in magazine offices, and online operations developing in a changing industry. You will examine the structure of this fast-expanding sector, with a particular emphasis on the role played by freelance journalists and production staff in generating content.

You will have the opportunity to acquire the core skills for producing online and print publications which will include the use of social media/analytics/branding/research and interview techniques. You will be equipped with multimedia reporting, production and design skills in demand in the journalism industry and will be confident about telling stories through video and audio as well as the written word.

The module offers valuable opportunities for you to work together to produce and run your own group website, and magazine, developing your teamwork skills and experiencing the reality of different job roles in a multimedia operation. This classroom experience will provide a valuable introduction to the two-week work placement all students will be required to undertake as part of the module.

The Archive in Contemporary Media Cultures

30 credits

This module explores content creation through physical and digital archives in the contemporary media landscape; it shows how archival practices shape personal, local, and global memories, identities, and stories. The module aims to consider the diverse ways in which we encounter the modern archive, its spaces, uses, and formats, to gain an understanding of how archives and archival methods are being creatively reinvented and disrupted in traditional and digital media environments.

The module also examines the changing role of the archivist, the politics of data collection and storage in the digital era and how it impacts our perception of current events and the world we live in today. The module invites students to interrogate gaps and absences in archives to develop ethical and globally aware practices of excavating marginalised voices.

Students will gain critical and practical skills to navigate different types of analogue and digital media archives through their own practical engagement and digital experience, to recognise themselves as archival practitioners.

Special Study: Art/ Media Management and Production

30 credits

This special study examines art / media management and production in relation to opportunities and challenges posed in the current digital landscape. Students are able to familiarise themselves with how projects are managed; rights management issues, defining and understanding rights in the context of their own topical areas of interest; professional practice; and/or, production work.

Looking at such rights as copyright, brand rights, image rights, privacy, freedom of expression and information, censorship, and regulation - students explore how these work in practice. They also develop knowledge and understanding of the use of agreements and of licensing, and relate these to art / media production and, professional practice. Students have a wide range of case studies to focus on: film, music, fashion, advertising, PR, publishing, and art; global media production and cultures of appropriation.

There will be an opportunity for portfolio development and the study of theoretical aspects of ‘digital disruption', the impact and use of free / open media and, how making media is affected by share culture, remix/mashups. Production work with archives and issues raised by archival rights are an important focus and students learn how to navigate these. To understand what happens to art and media work once produced, students look also at distribution, the rights affecting distribution, and the impact on these of e.g. download culture, cultural appropriation, globalisation; transborder flow, media convergence and spreadability.

Students may EITHER write an extended essay OR engage in production or practice-based projects. The focus topics are wide and based on student choice (such as, in the past, free expression and identity; cyber-bulling & social media; documenting conflict; PR and reputation work; culture jamming; brand management; style and advertising; online art trade; music production).

The output options are also wide ranging (from critical essays; to video essay; blogs; podcasts / vlog websites; music and video mashups; short video documentary). There is a substantial opportunity to transfer employability skills and knowledge acquired in the module to a range of professional contexts.

Issues in Contemporary Media and Culture

30 credits

This module seeks to synthesize and draw together students' understanding of theoretical and contextual approaches to the interpretation of media and culture, which they have learnt about in the first two years of the degree. Furthermore, the module enables students to apply this heightened understanding of theory to analysis of contemporary issues, practices and debates reviewed in the module.

The module is taught in different strands, to provide students with a breadth of themes and specialists subjects on the most contemporary issues in media and communication, which are being debated and discussed both by the public and by academics. The content of the strands may range from discussions on consumerism, neoliberalism, and selfie culture, to debates about art, creativity and digital technologies.

Each strand is taught by a different lecturer and has its own syllabus and reading lists. Whilst the number and specific focus of the strands may vary from year to year, the content is always current and teaching delivery pattern as well as assessments in various strands remain the same.

Television Production

30 credits

This is a practical module designed to enable you to experience and work in a professionally-focused industry environment, and develop television production skills such as multi-camera operation, sound, mixing and teleprompting.

You will learn how to work and operate a professional broadcast studio as well as developing TV production skills. In addition, you will build on and reinforce employability skills such as problem-solving, time management and dependability sought by employers looking to fill graduate positions. You will be encouraged to reflect on your professional practice and critically evaluate your teaching and learning contributions.

This module builds practical and theoretical knowledge and skills towards the creation of a final year production piece. You can make either TV drama or TV documentary but must use the production studio for at least part of their production. This caveat will contribute to the wide range of skills that the industry demands of graduates.


The Professional Placement module is a core module for those students following a masters programme that incorporates professional placement learning, following completion of 120 credits. It provides students with the opportunity to apply their knowledge and skills in an appropriate working environment, and to develop and enhance key employability skills and subject specific professional skills in their chosen subject.

You may wish to use the placement experience as a platform for your subsequent major project module, and can use it to help inform your decisions about future careers.

Please note

Optional modules only run if there is enough demand. If we have an insufficient number of students interested in an optional module, that module will not be offered for this course.

Entry requirements

Typical offer

A 2:2 or above honours degree in a Humanities subject (Film, Media Studies, Languages, History, English, etc) or in the History of Art, Fine Art or Design.

Applicants with qualifications in other subjects, or relevant work experience, will be considered on an individual basis.


All non-UK applicants must meet our English language requirement, which is Academic IELTS of 6.5 overall, with no element below 5.5. Make sure you read our full guidance about English language requirements, which includes details of other qualifications we consider.

Applicants who do not meet the English language requirements could be eligible to join our pre-sessional English language course.

Applicants from a recognised majority English-speaking countries (MESCs) do not need to meet these requirements.

Country-specific information

You will find more information on country specific entry requirements in the International section of our website.

Find your country:

What our students say

I chose Kingston University for its reputation and location. Most importantly, the MA Media and Communication course structure was tailored to my needs as a communications professional.

I liked the lecturers the most because they were knowledgeable about the subjects. They have created space in every module for students to engage in debates and discussions, making the lectures cosy and informative while fostering friendships among students.

Kingston University embraces differences in nationalities, races, gender, abilities and academic backgrounds. This makes the university feel like a home away from home, especially for international students like myself because of all the different, amazing people you can befriend and work with academically.

Emile Ndayambaje

Teaching and assessment

Essays, reports, position papers, presentations, research projects, practice-based projects, and dissertation (either written or practice-based).

Guided independent study (self-managed time)

When not attending timetabled sessions, you will be expected to continue learning independently through self-study. This typically involves reading and analysing articles, regulations, policy documents and key texts, documenting individual projects, preparing coursework assignments and completing your PEDRs, etc.

Your independent learning is supported by a range of excellent facilities including online resources, the library and CANVAS, the University's online virtual learning platform.

Support for postgraduate students

At Kingston University, we know that postgraduate students have particular needs and therefore we have a range of support available to help you during your time here.

Your workload

Year 1: 11% of your time is spent in timetabled learning and teaching activity.

  • Scheduled learning and teaching: 161 hours
  • Guided independent study (self-managed time): 1,312 hours

Contact hours may vary depending on your modules.

Type of learning and teaching

Type of learning and teaching
  • Scheduled learning and teaching: 161 hours
  • Guided independent study (self-managed time): 1312 hours

Please note: the above breakdowns are a guide calculated on core modules only. Depending on optional modules chosen, this breakdown may change.

How you will be assessed

Assessment typically comprises practical (e.g. presentations, audio/video production) and coursework (e.g. essays, position papers, reports, self-assessment, portfolios, dissertation). The approximate percentage for how you will be assessed on this course is as follows, though depends to some extent on the optional modules you choose:

Type of assessment

Type of assessment
  • Coursework: 100%

Please note: the above breakdowns are a guide calculated on core modules only. Depending on optional modules chosen, this breakdown may change.

Feedback summary

We aim to provide feedback on assessments within 20 working days.

Class sizes

To give you an indication of class sizes, this course normally enrols 20 to 30 students and lecture sizes are normally suitable for interactive teaching. However this can vary by module and academic year.

Who teaches this course?

On this course, you will meet a diverse cohort of international students with professional experience in the media industries, and benefit from a multicultural study environment, thanks to the wide range of postgraduate courses on offer. The Faculty's combination of academics and practitioners makes it a unique environment in which to further your studies and your career.

The Faculty provides a vibrant and forward-thinking environment for study with:

  • courses designed in collaboration with industry professionals - keeping you up to date with the latest developments;
  • established connections with the London arts and media scene - with a range of guest speakers, professors and lecturers visiting the University; and
  • committed and enthusiastic staff - many of whom are expert practitioners as well as leading academics and researchers.

Postgraduate students may also contribute to the teaching of seminars under the supervision of the module leader.

Fees for this course

2025/26 fees for this course

Home 2025/26

  • MA full time £12,400
  • MA part time £6,820

International 2025/26

  • MA full time £20,700
  • MA part time £11,385

2024/25 fees for this course

Home 2024/25

  • MA full time £11,900
  • MA part time £6,545

International 2024/25

  • MA full time £19,900
  • MA part time £10,945

Tuition fee information for future course years

If you start your second year straight after Year 1, you will pay the same fee for both years.

If you take a break before starting your second year, or if you repeat modules from Year 1 in Year 2, the fee for your second year may increase.

Fees for the optional placement year

If you choose to take a placement as part of this course, you will be invoiced for the placement fee in Year 2. Find out more about the postgraduate work placement scheme and the costs for the placement year.

Postgraduate loans

If you are a UK student, resident in England and are aged under the age of 60, you will be able to apply for a loan to study for a postgraduate degree. For more information, read the postgraduate loan information on the government's website.

Scholarships and bursaries

Kingston University offers a range of postgraduate scholarships, including:

If you are an international student, find out more about scholarships and bursaries.

We also offer the following discounts for Kingston University alumni:

Additional costs

Depending on the programme of study, there may be extra costs that are not covered by tuition fees which students will need to consider when planning their studies. Tuition fees cover the cost of your teaching, assessment and operating University facilities such as the library, access to shared IT equipment and other support services. Accommodation and living costs are not included in our fees. 

Where a course has additional expenses, we make every effort to highlight them. These may include optional field trips, materials (e.g. art, design, engineering), security checks such as DBS, uniforms, specialist clothing or professional memberships.


Our libraries are a valuable resource with an extensive collection of books and journals as well as first-class facilities and IT equipment. You may prefer to buy your own copy of key textbooks, this can cost between £50 and £250 per year.

Computer equipment

There are open-access networked computers available across the University, plus laptops available to loan. You may find it useful to have your own PC, laptop or tablet which you can use around campus and in halls of residences. Free WiFi is available on each of the campuses. You may wish to purchase your own computer, which can cost £100 to £3,000 depending on your course requirements.

Photocopying and printing

In the majority of cases written coursework can be submitted online. There may be instances when you will be required to submit work in a printed format. Printing, binding and photocopying costs are not included in your tuition fees, this may cost up to £100 per year.


Travel costs are not included in your tuition fees but we do have a free intersite bus service which links the campuses, Surbiton train station, Kingston upon Thames train station, Norbiton train station and halls of residence.


There is a wide range of facilities at our Penrhyn Road campus, where this course is based. You will have access to a modern environment with the latest equipment, including our specialist film and media labs, equipped with iMacs running software including Final Cut Studio Pro and the Adobe Creative Suite.

Students also have access to a film studio facility with backgrounds and green wall, as well as a fully equipped audio recording facility running Logic Pro and Pro Tools.

Other media facilities, including professional standard moving image and photography suites, are available at Knights Park campus, where many of our art, design, architecture and creative courses are taught.

General facilities

The library offers:

  • subject libraries, plus a free inter-library loan scheme to other libraries in the Greater London area
  • online database subscriptions
  • a wide selection of resource materials.

Resources in London

From Kingston, it's just a 30-minute train journey to central London. Here you can access a wealth of film-related resources, media hubs, and exhibition centres.

Funding and bursaries

Kingston University offers a range postgraduate scholarships, including:

If you are an international student, find out more about scholarships and bursaries.

We also offer the following discounts for Kingston University alumni:

After you graduate

Many students progress from internships to full-time roles. They work in the media and cultural industries, government, PR, publishing, radio and journalism, social media content creation, or launch successful start-ups.

Links with business and industry

There are always interesting activities taking place at Kingston and exciting opportunities to take advantage of, from guest lectures to special screenings. We have previously welcomed feature writers for the Guardian, Time Magazine, and investigative journalists who covered global politics

Media colleagues organise and host international conferences on a wide range of subjects including the E-Poetry Conference, Black Metal conference, Hegel and world history conference, and "BTS: A Global Interdisciplinary conference" (2020).

Regular lunchtime lectures take place with exciting guest speakers like James Ball, a special correspondent at BuzzFeed UK. He played a key role in the Pulitzer Prize-winning coverage of the NSA leaks by Edward Snowden.

James Jones, renowned investigative and undercover producer and filmmaker for the BBC, who films in North Korea, Syria, Iraq, Palestine, Ukraine and Russia, has also guest lectured.

Research areas

Many of the staff in the media department are research active. Their portfolio of academic works, digital art exhibitions and practical projects covers a wide range of disciplinary areas such as video production, digital art, electronic literature (see Maria Mencia #WomenTechLit: Computing Literature), continental philosophy (see Hager Weslati: Hegel, Logic and Speculation), globalisation theories and the music industry (Scott Wilson: Scott Walker)  

Course changes and regulations

The information on this page reflects the currently intended course structure and module details. To improve your student experience and the quality of your degree, we may review and change the material information of this course. Course changes explained.

Programme Specifications for the course are published ahead of each academic year.

Regulations governing this course can be found on our website.