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This course offers a cross-disciplinary insight into the changing landscape of the media industries from mass communication to the new digital age.
The course nurtures and builds on your individual experience as a media user or amateur content creator, but it also enhances your awareness and understanding of how media are shaping the world we live in today, and how humanity will evolve within Artificial Intelligence and environmental concerns.
The course offers a diverse curriculum covering media histories, media now, and future media.
Media studies have been described as "the defining subject of our age". So, when you choose this Media and Communications MA, you will be developing your professional portfolio of media and communication projects. You'll explore different aspects of the media industries and professions such as strategic communication, media production, PR, advocacy, marketing and advertising, digital art, creative writing and so many other areas which speak to your individual interests and potential future career paths.
As part of Kingston School of Art, students on this course benefit from joining a creative community where collaborative working and critical practice are encouraged.
Our workshops and studios are open to all disciplines – enabling students and staff to work together, share ideas and explore multi-disciplinary making.
This course is designed to provide a critical overview and survey of today's media landscape and media environments. The coursework is a mixture of academic research and media practice, allowing you to build a wholesome professional portfolio of media projects.
The classroom teaching is supported by extracurricular activities including journalism lectures, publishing masterclasses, marketing and media industries events, and organised educational visits to media hubs in and around London.
You'll have to take three compulsory modules, including a dissertation, worth 120 credits in total, and then choose from two optional modules worth 30 credits each. In total you'll have to complete 180 credits.
Please note that this is an indicative list of modules and is not intended as a definitive list.
The compulsory core modules provide you with a comprehensive grounding in the theoretical and empirical approaches to studying media institutions, texts and communication practices.
With a broad choice of option modules, you can specialise in research areas that interest you, and examine various media industries and communication practices within their historical, economic, political and social contexts.
This module enables students to demonstrate their ability to undertake a sustained piece of independent project in media and communication at an advanced level on a topic of their choice agreed in conjunction with their dissertation supervisor. Dissertations may be based on some primary research into a particular case study, archive or canon in combination with an engagement with secondary material, criticism or literature review. Students can either undertake a standard dissertation (12- 15,000 words) or a practice-based dissertation (plus a maximum of 5,000 word reflection on practice and/ or the creative process). The second part of MD7001 provides the teaching for this module, and covers research skills such as constructing a proposal, editing and composition, reflection on practice, referencing, and on online and electronic research methods.
The culture of the West is no longer the sole driver of globalisation. All nations around the world are enjoined to compete on multiple media platforms and cultural arenas where culture and economy are conjoined across globalized communications networks. At the same time, even as national cultures seek to position their ‘brands' in the global ‘marketplace', they are challenged by trans- and post-national corporations, particularly new media companies among the wealthiest in the world.
The rise of popular social and nationalist movements contesting the inequalities represented by these elites take place, similarly, across global media networks. This module explores the current debates around the cultural politics of the new globalization that is continually being transformed by the radical changes being introduced by technological ‘disruptions' that have collapsed familiar spatial and temporal dimensions of the world. Through addressing pertinent theoretical perspectives and case studies from different parts of the world, the module examines the political, social, cultural and moral issues that arise in the context of the new realities and conflicts being produced and facilitated by globalized media and communication.
This module provides a broad-based exploration of the conceptual history of electronic and digital media technologies and their effect on society, culture and politics. Contemporary case studies from everyday media are used to evaluate the usability of different theoretical frameworks discussed in the first part of the module. These are organised into three major topics.
1) The transition to managerial governance, cultural politics, consumer cultures and the media industries.
2) The analogue-digital interface in media aesthetics and media art.
3) Emerging trends in theorising new media and digital cultures.
This one semester module is an elective primarily offered to students taking an MA in Media & Communication or an MA in Film but it is also relevant to those taking postgraduate degrees in politics, political communication, human rights and conflict. It deals with some of the most hotly debated issues in different societies about how to balance core freedoms (expression, press and protest) with the state protecting what and who may be potentially harmed by certain forms of expression through censorship. Even then these remain open debates as new forms of subversion and resistance emerge with new technologies or through the use of the body to express protest. The module explores these at two levels. The first outlines different approaches to and principles governing censorship depending on whether expression is through images; words, ideas and beliefs; information; and action. These are then explored in more depth in sessions that draw on staff specialisms here, for instance, in film, news, information-privacy, protest movements, etc.
This module examines the way in which the genres of Horror (and Cartoon Comedy) splice animals and humans together to create frightening (or comical) visions of both. There is a long history in cinema of humanising the animal (‘anthropomorphism') and animalising the human (‘theriomorphism'), through hybrids of animal and human beings (werewolves, insect-men, lizard men), or animal and human behaviour, as when feeding (vampires, zombies, cannibals) or in political behaviour (invading alien monsters). We will analyse the narrational methods, cinematic technologies, ethics, and politics of these films by looking at contemporary examples including The Fly, Red Dragon, District 9, Antz!, and Beauty and The Beast.
This module aims to provide you with the practical skills necessary to work as successful journalists, underpinned by an understanding of the constraints and tensions inherent in magazine offices, and online operations developing in a changing industry. You will examine the structure of this fast-expanding sector, with a particular emphasis on the role played by freelance journalists and production staff in generating content.
You will have the opportunity to acquire the core skills for producing online and print publications which will include the use of social media/analytics/branding/research and interview techniques. You will be equipped with multimedia reporting, production and design skills in demand in the journalism industry and will be confident about telling stories through video and audio as well as the written word.
The module offers valuable opportunities for you to work together to produce and run your own group website, and magazine, developing your teamwork skills and experiencing the reality of different job roles in a multimedia operation. This classroom experience will provide a valuable introduction to the two-week work placement all students will be required to undertake as part of the module.
This special study module is an introduction to political communication from the lens of hybrid media environments. It enables students to examine the new research agenda and the emerging practices in this field of study beyond the limits of the media effects approach applied to traditional or mass media. The topics covered on the module are partly linked with the research interests and projects of teaching staff and will enable students to benefit from research-informed teaching in their final year of study. Students will undertake extensive exploration of the new challenges facing political communication in multi-platform contexts, drawing on pertinent theoretical debates and current media stories. Students will deliver an assessed presentation, and produce an extended and focused practice-based or essay-based project on a particular topic negotiated with the module leader.
This module considers the various individuals and communities (colleagues, shareholders, retailers, distributors, agents, customers and other stakeholders) involved in the business of content sale and delivery, and how to disseminate information and influence behaviour in order to promote effective marketing and sales.
The module will enable students to understand marketing and sales principles, and develop associated skills in applying them to meet the demands of modern publishing.
This is a practical module designed to enable you to experience and work in a professionally-focused industry environment, and develop television production skills such as multi-camera operation, sound, mixing and teleprompting.
You will learn how to work and operate a professional broadcast studio as well as developing TV production skills. In addition, you will build on and reinforce employability skills such as problem-solving, time management and dependability sought by employers looking to fill graduate positions. You will be encouraged to reflect on your professional practice and critically evaluate your teaching and learning contributions.
This module builds practical and theoretical knowledge and skills towards the creation of a final year production piece. You can make either TV drama or TV documentary but must use the production studio for at least part of their production. This caveat will contribute to the wide range of skills that the industry demands of graduates.
The Professional Placement module is a core module for those students following a masters programme that incorporates professional placement learning, following completion of 120 credits. It provides students with the opportunity to apply their knowledge and skills in an appropriate working environment, and to develop and enhance key employability skills and subject specific professional skills in their chosen subject.
You may wish to use the placement experience as a platform for your subsequent major project module, and can use it to help inform your decisions about future careers.
The information above reflects the currently intended course structure and module details. Updates may be made on an annual basis and revised details will be published through Programme Specifications ahead of each academic year. The regulations governing this course are available on our website. If we have insufficient numbers of students interested in an optional module, this may not be offered.
A 2:2 or above honours degree in a Humanities subject (Film, Media Studies, Languages, History, English, etc) or in the History of Art, Fine Art or other studio-based subjects which include an art historical or contextual studies component, or another area appropriate to the degree.
Consideration is also given to non-standard entrants with relevant work experience that demonstrates the necessary skills and intellectual achievement required to undertake the course.
We normally invite applicants for an interview with the course director or another senior member of the teaching team. International students based overseas can arrange for an interview by email or telephone.
All non-UK applicants must meet our English language requirement, which is Academic IELTS of 6.5 overall, with no element below 5.5. Make sure you read our full guidance about English language requirements , which includes details of other qualifications we consider.
Applicants from a recognised majority English-speaking countries (MESCs) do not need to meet these requirements.
You will find more information on country specific entry requirements in the International section of our website.
Find your country:
I chose Kingston University for its reputation and location. Most importantly, the MA Media and Communication course structure was tailored to my needs as a communications professional.
I liked the lecturers the most because they were knowledgeable about the subjects. They have created space in every module for students to engage in debates and discussions, making the lectures cosy and informative while fostering friendships amongst students.
Kingston University embraces differences in nationalities, races, gender, abilities and academic backgrounds. This makes the university feel like a home away from home, especially for international students like myself because of all the different, amazing people you can befriend and work with academically.
Essays, reports, position papers, presentations, research projects, practice-based projects, and dissertation (either written or practice-based).
When not attending timetabled sessions, you will be expected to continue learning independently through self-study. This typically involves reading and analysing articles, regulations, policy documents and key texts, documenting individual projects, preparing coursework assignments and completing your PEDRs, etc.
Your independent learning is supported by a range of excellent facilities including online resources, the library and CANVAS, the University's online virtual learning platform.
At Kingston University, we know that postgraduate students have particular needs and therefore we have a range of support available to help you during your time here.
Year 1: 11% of your time is spent in timetabled learning and teaching activity.
Contact hours may vary depending on your modules.
Type of learning and teaching
Assessment typically comprises practical (eg presentations, audio/ video production) and coursework (eg essays, position papers, reports, self-assessment, portfolios, dissertation). The approximate percentage for how you will be assessed on this course is as follows, though depends to some extent on the optional modules you choose:
Type of assessment
We aim to provide feedback on assessments within 20 working days.
To give you an indication of class sizes, this course normally enrols 20 to 30 students and lecture sizes are normally suitable for interactive teaching. However this can vary by module and academic year.
On this course, you will meet a diverse cohort of international students with professional experience in the media industries, and benefit from a multicultural study environment, thanks to the wide range of postgraduate courses on offer. The Faculty's combination of academics and practitioners makes it a unique environment in which to further your studies and your career.
The Faculty provides a vibrant and forward-thinking environment for study with:
Postgraduate students may also contribute to the teaching of seminars under the supervision of the module leader.
If you start your second year straight after Year 1, you will pay the same fee for both years.
If you take a break before starting your second year, or if you repeat modules from Year 1 in Year 2, the fee for your second year may increase.
Kingston University offers a range of postgraduate scholarships, including:
If you are an international student, find out more about scholarships and bursaries.
We also offer the following discounts for Kingston University alumni:
Depending on the programme of study, there may be extra costs that are not covered by tuition fees which students will need to consider when planning their studies. Tuition fees cover the cost of your teaching, assessment and operating University facilities such as the library, access to shared IT equipment and other support services. Accommodation and living costs are not included in our fees.
Where a course has additional expenses, we make every effort to highlight them. These may include optional field trips, materials (e.g. art, design, engineering), security checks such as DBS, uniforms, specialist clothing or professional memberships.
Our libraries are a valuable resource with an extensive collection of books and journals as well as first-class facilities and IT equipment. You may prefer to buy your own copy of key textbooks, this can cost between £50 and £250 per year.
There are open-access networked computers available across the University, plus laptops available to loan. You may find it useful to have your own PC, laptop or tablet which you can use around campus and in halls of residences. Free Wi-Fi is available on each of the campuses. You may wish to purchase your own computer, which can cost £100 to £3,000 depending on your course requirements.
In the majority of cases written coursework can be submitted online. There may be instances when you will be required to submit work in a printed format. Printing, binding and photocopying costs are not included in your tuition fees, this may cost up to £100 per year.
Travel costs are not included in your tuition fees but we do have a free intersite bus service which links the campuses, Surbiton train station, Kingston upon Thames train station, Norbiton train station and halls of residence.
There is a wide range of facilities at our Penrhyn Road campus, where this course is based. You will have access to a modern environment with the latest equipment, including our specialist film and media labs, equipped with iMacs running software including Final Cut Studio Pro and the Adobe Creative Suite.
Students also have access to a film studio facility with backgrounds and green wall, as well as a fully equipped audio recording facility running Logic Pro and Pro Tools.
Other media facilities, including professional standard moving image and photography suites, are available at Knights Park campus, where many of our art, design, architecture and creative courses are taught.
The library offers:
From Kingston, it's just a 30-minute train journey to central London. Here you can access a wealth of film-related resources, media hubs, and exhibition centres.
Kingston University offers a range postgraduate scholarships, including:
If you are an international student, find out more about scholarships and bursaries.
We also offer the following discounts for Kingston University alumni:
There are always interesting activities taking place at Kingston and exciting opportunities to take advantage of, from guest lectures to special screenings. We have previously welcomed feature writers for the Guardian, Time Magazine, and investigative journalists who covered global politics
Media colleagues organise and host international conferences on a wide range of subjects including the E-Poetry Conference, Black Metal conference, Hegel and world history conference, and "BTS: A Global Interdisciplinary conference" (2020).
Regular lunchtime lectures take place with exciting guest speakers like James Ball, a special correspondent at BuzzFeed UK. He played a key role in the Pulitzer Prize-winning coverage of the NSA leaks by Edward Snowden.
James Jones, renowned investigative and undercover producer and filmmaker for the BBC, who films in North Korea, Syria, Iraq, Palestine, Ukraine and Russia, has also guest lectured.
Many of the staff in the media department are research active. Their portfolio of academic works, digital art exhibitions and practical projects covers a wide range of disciplinary areas such as video production, digital art, electronic literature (see Maria Mencia #WomenTechLit: Computing Literature), continental philosophy (see Hager Weslati: Hegel, Logic and Speculation), globalisation theories and the music industry (Scott Wilson: Scott Walker)