Fine Art MFA

Why choose this course?

Kingston School of Art is an internationally regarded art school with a reputation for excellence and innovation in research across disciplines. The newly restructured MFA Fine Art course invites applicants to critically engage with contemporary art and identify what the urgent questions for contemporary practice are. Artists joining the course are asked to reflect on the historical, social, political, technological and intellectual conditions for artistic production. We believe students will then be equipped to understand and question contemporary art and lead rather than follow developments in the field.

Teaching on the course is designed to carefully nurture the core methods, ideas and approaches of its students. The course is studio based with world-class technical facilities and teaching that will consolidate and strengthen students' positions as practicing artists.

Professors in the Department of Fine Art include Turner Prize winner Elizabeth Price and Mike Nelson who represented Britain at the 2011 Venice Biennale.

Recent guest lecturers and speakers include Caroline Achaintre, Barby Asanti, Dexter Dalwood, Mark Leckey, Chooc Ly Tan, Amila Pica, Anahita Razmi, Grace Schwindt and Issy Wood.

The course also offers the option to take one module with our internationally renowned Philosophy department (CRMEP).

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Mode Duration Attendance Start date
Full time 2 years 3 - 5 days a week September 2021
Location Kingston School of Art, Knights Park
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2021/22 entry

If you are planning to join this course in the academic year 2021/22 (i.e. between August 2021 and July 2022), please view the information about changes to courses for 2021/22 due to Covid-19.

Changes to courses for 2021/22 due to Covid-19

 

Continuing students

Students who are continuing their studies with Kingston University in 2021/22 should refer to their Course Handbook for information about specific changes that have been, or may be, made to their course or modules being delivered in 2021/22. Course Handbooks are located within the Canvas Course page.

Reasons to choose Kingston University

  • You will benefit from our dedicated MFA studios, which are situated directly adjacent to the newly refurbished, world-class workshop facilities, the Stanley Picker public gallery and events programme, within a vibrant community of artists and designers.
  • This course is taught by practicing artists, curators, writers and other invited professionals, offering a broad range of cultural, intellectual and practical experience. Regular lectures are enhanced by a programme of public talks at ICA London.
  • You can opt to select one option module delivered by Kingston University's Centre for Research in Modern European Philosophy (CRMEP).

What you will study

This course will help you to enhance your research and analytical skills as an integral aspect of your studio practice.

Your own research is augmented by collaborative work, seminars and talks. Within a diverse cohort of students, you'll challenge one another's world views, towards an in depth understanding of cultural production.

You will amass a substantial body of work, develop and apply highly attuned analytical skills, practice innovative exhibition strategies and hone your confidence as an artist.

Typically students must complete 120 credits at each level, totalling 240 credits by the end of the degree.

Year 1 modules

Final year modules

The teaching in the first year supports students in establishing their studio practice and critical skills. Sessions with key professionals in contemporary art then go on to assist students in developing the research and professional skills they need to sustain a career. This is then followed by a period in which students (in dialogue with their peers) explore their strengthened individual practice and research through making and reflecting on modes for disseminating art.

Core module (plus the modules in option 1 OR option 2)

Practice and Critique

60 credits

This module aims to enable you to develop a body of artwork with reference to artworks, art historical, theoretical, inter-disciplinary and wider cultural contexts. The module integrates theory and practice to allow you to develop and apply individually developed critical tools in order to make and analyse your own work and the work of your peers. You will become able to express your abilities to reflect and be critical through making, recording, documentation and evaluation of ideas from within your discipline and from the wider interdisciplinary environment. The Practice and Critique module introduces making, verbal and written communication skills to allow you to position your developing practice. This enables you to begin to understand the field of your practical research and your potential contribution to that field.

Option 1

Extended Research and Professional Skills

60 credits

This module builds on the grounding work of the Practice and Critique Module by developing research skills alongside a range of professional skills. The module aims to provide you with comparative models of what research means in the context of a fine art practice alongside differing models of professional practice. To this end students will understand for example the difference between research-led practice and practice-based-research. You will be expected to understand how issues of funding, project management, institutional frameworks and organisation impact on the production and reception of artworks. You will learn the conceptual implications of these structures on your art as you further define the field of your research. The module will develop written, presentation, technical, artistic and communication skills as ways and means of expressing research. You will also begin to establish professional and organisational structures that are appropriate to your research and arts practice. These methods of organising and making your work public will enable you to successfully complete the course and sustain your research and art after graduating. The distinguishing feature of the larger credit version of this module (60 credits) is a fully costed project or exhibition proposal with documentation of current and past work.

Option 2

Research and Professional Skills

30 credits

This module builds on the grounding work of the Practice and Critique module by developing research skills alongside a range of professional skills. The module aims to provide you with comparative models of what research means in the context of a fine art practice alongside differing models of professional practice. To this end students will understand for example the difference between research-led practice and practice-based-research. You will be expected to understand how issues of funding, institutional frameworks and organisation impact on the production and reception of artworks. You will learn the conceptual implications of these structures on your art as you further define the field of your research. The module will develop written, presentation, technical, artistic and communication skills as ways and means of expressing research. You will also begin to establish professional and organisational structures that are appropriate to your research and arts practice. These methods of organising and making your work public will enable you to successfully complete the course and sustain your research and art after graduating.

Art Theory: Modernist, Avant-Garde, Contemporary

30 credits

Based on a study of artists' texts, art criticism, art history and philosophical writings on art, this module comprises a critical examination of the legacy and possibilities of modernist and avant-garde criticism in contemporary art theory. As well as introducing students to some of the major texts and ideas in these traditions of art theory and art criticism, the modules aims to enable students to reflect critically on works of contemporary art in the light of their study.

In the second year of the MFA you are given the time, teaching, support and discursive framework to consolidate their independent practice and research. You will work towards the completion of a final major exposition of work that signals a critical engagement with notions of dissemination and publication in the field of contemporary art. The final major exposition is the culmination of the technical, critical, professional and organisational skills learnt earlier in the course.

Core modules

Extended Practice

60 credits

This module aims to enable you to develop your practice with reference to individually identified cultural and social contexts and begins to examine in more depth the relation of artworks to audience. You will be encouraged to apply developed critical tools in order to make and analyse your own work and the work of your peers. You will consider a wider interdisciplinary environment, working individually and collaboratively to investigate and disseminate your work inside and outside of the studio. During the module you will be expected to present your work in the public arena and may work together or individually to test the most appropriate platform for the dissemination of your work. The Extended Practice module allows you time to focus on your strengthened individual positions through making and testing and reflection on appropriate modes for disseminating work.

Final Major Exposition

60 credits

This module is the bringing together and culmination of the strands of learning from earlier modules. This includes but is not limited to a consolidation of your skills with regard to critique, professional frameworks and organisation, research and studio practice. Having tested strategies for disseminating work in the previous module this module focuses on the realisation of an ambitious project with an accompanying publication. It is expected that your final project and publication will fully realise and expresses the conceptual terrain that your current research and art has mapped out and take a form appropriate to the enquiry you are making. The publication will take a form pertinent to your art and research and is understood as a visual and written culmination of the thinking carried out in the previous modules. The Final Major Exposition module allows students enough time to achieve an ambitious final project and publication that signals a critical engagement with notions of dissemination and publication in the field of contemporary art.

The information above reflects the currently intended course structure and module details. Updates may be made on an annual basis and revised details will be published through Programme Specifications ahead of each academic year. The regulations governing this course are available on our website. If we have insufficient numbers of students interested in an optional module, this may not be offered.

Entry requirements

Typical offer

Applicants should have a good BA (Hons) degree in fine art or an equivalent British or overseas qualification.

We will also consider applicants with relevant work experience. Your application might also be considered if you aren't a graduate or your degree is in an unrelated field, but you must have relevant experience of the visual arts and can demonstrate you have the capacity to work at postgraduate level.

Applicants will be asked to upload an online portfolio as part of the application process.

English language requirements

All non-UK applicants must meet our English language requirement, which is Academic IELTS of 6.5 overall, with no element below 5.5. Make sure you read our full guidance about English language requirements, which includes details of other qualifications we consider.

Applicants who do not meet the English language requirements could be eligible to join our pre-sessional English language course.

Applicants from a recognised majority English speaking countries (MESCs) do not need to meet these requirements.

Student work gallery

Teaching and assessment

The course employs a range of approaches to teaching and learning. Lectures, seminars, group critiques, individual tutorials, optional study visits, presentations, workshops and assessed expositions of work support the development of your practice and research.

Guided independent study

When not attending timetabled sessions, you will be expected to continue learning independently through self-study. This typically involves reading and analysing articles, regulations, policy documents and key texts, documenting individual projects, preparing coursework assignments and completing your PEDRs, etc.

Your independent learning is supported by a range of excellent facilities including online resources, the library and CANVAS, the University's online virtual learning platform.

Support for postgraduate students

At Kingston University, we know that postgraduate students have particular needs and therefore we have a range of support available to help you during your time here.

Your timetable

3 - 5 days a week; the main teaching days for students are Monday and Wednesday.

MFA Fine Art is a two-year, full-time course. The timetable is carefully designed to facilitate progression.

Your full attendance is expected in timetabled sessions and at all other times we expect you to be engaged in self-directed study within the university.

We would normally expect you to be in attendance 3-5 days per week. Key teaching days are Mondays, Tuesdays and Wednesdays.

Missing key sessions will inevitably affect your marks. Similarly, non-submission of work at assessment will impact on results.

Whilst we recognise the necessity for some students to take employment to support studies, we strongly advise that this should not exceed 16 hours per week or you will find it difficult to keep up.

Your workload

Type or teaching and assessment

Contact hours may vary depending on your modules.

Year 1

Final year

Year 1
  • Scheduled teaching and learning: 110 hours
  • Guided independent study: 1090 hours
Final year
  • Scheduled teaching and learning: 90 hours
  • Guided independent study: 1110 hours

How you will be assessed

Assessment typically comprises a presentation of practical work (eg exhibitions, performance) and supporting coursework (eg contextual written documents, research folders, evaluative reports, portfolios, presentations).

The approximate percentage for how you will be assessed on this course is as follows, though depends to some extent on the optional modules you choose:

Type of assessment

Type of assessment
  • Coursework: 100%

Feedback summary

We aim to provide feedback on assessments within 20 working days.

Ongoing feedback is provided at group and individual tutorials, module sessions and at tutorials with departmental professors and visiting artists and professionals. Summative feedback is given after each assessment point and we aim for your individual tutor to provide feedback within 20 working days of your work being assessed. These are occasions when the strengths and weaknesses of the work are highlighted and discussed in order to progress the work.

Class sizes

To give you an indication of class sizes, this course normally enrols 12 students and lecture sizes are normally 25-150.

However this can vary by module and academic year.

Who teaches this course?

This course is delivered by academics at Kingston School of Art, all of whom are professional artists, curators or writers. Their specialisms include but are not limited to: artist's film and video; painting; performance; sculpture; art and urbanism; art and informatics; art and political philosophy; art and questions of pedagogy.

Alongside core teaching, there are opportunities for tutorials with Professors Elizabeth Price and Mike Nelson. Invited artists, curators, gallerists, writers and critics offer further input into the teaching and the opportunity for students to compare and discuss differing  models for the production and dissemination of art.

A highly distinctive aspect of the course is that one option module is delivered by the internationally renowned Kingston University Philosophy Department, the Centre for Research into Modern European Philosophy (CRMEP). CRMEP is internationally recognised as the leading centre for postgraduate level study and doctoral research in continental philosophy in the UK and its work is characterised by an emphasis on broad cultural and intellectual contexts, including contemporary art and a distinctive sense of social and political engagement.  Fine Art students are also welcome to attend the CRMEP talks programme.

The Fine Art Department has within it a highly innovative practice-based Fine Art PhD programme. Artist researchers give presentations to the MFA on their research projects allowing students who are considering developing a PhD proposal in the future, exposure to practice based research.

Staff teach between all the programmes within the Fine Art Department including the undergraduate programme that ranks amongst the top ten of undergraduate Fine Art courses in the UK. This means that an enormous range of expertise, research and art practices are available to students.

A regular artist's talks programme takes place on site and has included artists Grace Schwindt, Dexter Dalwood, Hannah Catherine Jones, Steve Claydon, Caroline Achaintre and Travis Alabanza. This year's programme includes Mark Leckey, Patrick Staff, Issy Wood and Leslie Thornton. The department also collaborates with the Institute of Contemporary Art (ICA) in Central London on a public talks programme that has recently included artist Steven Warwick and literary critic and author of How We Became Posthuman: Virtual Bodies in Cybernetics, Literature and Informatics, N. Katherine Hayles.

Dr Roman Vasseur

Dr Roman Vasseur

Course leader

Ms Joanne Addison

Ms Joanne Addison

JJ Chan

JJ Chan

Dr Dan Kidner

Dr Dan Kidner

Mike Nelson

Mike Nelson

Professor Peter Osborne

Professor Peter Osborne

Professor Elizabeth Price

Professor Elizabeth Price

Alexis Teplin

Alexis Teplin

Fees for this course

2022/23 fees for this course

Home 2022/23

  • MFA full time £10,260

International 2022/23

  • MFA full time £18,200

2021/22 fees for this course

Home and European Union 2021/22

  • MFA full time £9,735

Overseas (not EU) 2021/22

  • MFA full time £17,800

Additional costs

Depending on the programme of study, there may be extra costs which are not covered by tuition fees, which students will need to consider when planning their studies.

Tuition fees cover the cost of your teaching, assessment and operating University facilities such as the library, IT equipment and other support services. Accommodation and living costs are not included in our fees.

Where a course has additional expenses, we make every effort to highlight them. These may include optional field trips, materials (e.g. art, design, engineering), security checks such as DBS, uniforms, specialist clothing or professional memberships.

Textbooks

Our libraries are a valuable resource with an extensive collection of books and journals as well as first-class facilities and IT equipment. You may prefer to, or be required to, buy your own copy of key textbooks.

Computer equipment

There are open-access networked computers available across the University, plus laptops available to loan. You may find it useful to have your own PC, laptop or tablet you can use around campus and in halls of residence. Free WiFi is available on each of the campuses.

Printing

In the majority of cases coursework can be submitted online. There may be instances when you will be required to submit work in a printed format. Printing and photocopying costs are not included in your tuition fees.

Travel

Travel costs are not included but we do have a free intersite bus service which links the campuses and halls of residence.

Funding and bursaries

Kingston University offers a range of postgraduate scholarships, including:

If you are an international student, find out more about scholarships and bursaries.

We also offer the following discounts for Kingston University alumni:

Facilities

MFA Fine Art students are based at the University's Knights Park campus. Kingston School of Art is unique in offering a close knit community on a recently refurbished riverside campus, where friends and colleagues share student life, ideas and conversation, only a 30 minute train ride away from London's world-leading galleries, museums and creative businesses.

The MFA Fine Art programme takes place in dedicated studio spaces directly opposite the recently refurbished state-of-the-art technical areas, the Stanley Picker Gallery and the undergraduate fine art studios.

The workshops and studios at Knights Park are open for creative exploration and offer you plenty of opportunities to collaborate on projects and share ideas, whether you are studying or researching. Building on this open approach, there are many adaptable Architecture studio and workshop spaces, designed by Stirling Prize winning Haworth Tompkins, alongside active breakout spaces.

At the heart of the building are new state of the art workshop facilities, which include:

  • 3D workshop, with ceramics, concrete, resin-casting, plastics, metalwork, woodwork and a bronze-casting foundry, as well as a Big Build space for Architecture, set design and large scale model making
  • Animation and post production studios
  • Digital Media workshop
  • Fashion (knitting and sewing workshops), with digital and analogue facilities, plus a working dress archive which includes pieces from 1750 to the present day
  • HackSpace (for collaborative, creative, solutions-focussed projects)
  • Letterpress and printmaking workshop, with digital and analogue facilities, to experiment creatively
  • Moving Image workshop, with studios, editing suite, and industry-standard equipment
  • Photography workshop, including studios, colour, and black and white darkrooms, processing facilities
  • All our facilities are open access, meaning you can use them whenever you want, and irrespective of what degree you're studying.

Galleries

The University also has its own on-site galleries, including:

  • Dorich House - the former studio home of the sculptor Dora Gordine and her husband the Hon. Richard Hare, a scholar of Russian art and literature. Now Grade II listed, the building was completed in 1936, to Gordine's design, and is an exceptional example of a modern studio house created by and for a female artist.
  • Stanley Picker Gallery - one of the leading examples of a university gallery in the UK. Its public activities are dedicated to the research, commissioning and presentation of innovative new practice across the fields of art, design and architecture for general, academic and specialist audiences.
  • project spaces at Knights Park campus, which you can book for the exhibition of large-scale work.

Resources in London

Kingston is just a 30 minute train journey away from central London. Kingston is just a 30 minute train journey away from central London. Here you can access the city's unrivalled wealth of exhibitions and galleries, including the Tate Modern and the National Gallery. Kingston School of Art works closely with the Institute of Contemporary Art (ICA) in central London where internationally acclaimed exhibitions, events, talks and screenings are held that students often attend. Staff member's professional contacts with central London institutions means that opportunities arise for students to meet arts professionals as part of an optional visit to a gallery, museum or archive for example.

Artists Talks programme

Fine Art Artists Talks programme poster - Issy Wood
Fine Art Artists Talks programme poster
Issy Wood
Fine Art Artists Talks programme poster - Steve Claydon
Fine Art Artists Talks programme poster
Steve Claydon
Fine Art Artists Talks programme poster - Caroline Achaintre
Fine Art Artists Talks programme poster
Caroline Achaintre
Fine Art Artists Talks programme poster - Grace Schwindt
Fine Art Artists Talks programme poster
Grace Schwindt
Fine Art Artists Talks programme poster - Chooc Ly Tan
Fine Art Artists Talks programme poster
Chooc Ly Tan
Fine Art Artists Talks programme poster - Gabriella Boyd
Fine Art Artists Talks programme poster
Gabriella Boyd
Fine Art Artists Talks programme poster - Dexter Dalwood
Fine Art Artists Talks programme poster
Dexter Dalwood

After you graduate

Our graduates have progressed to careers in curation, arts administration, project management, arts education and PhD study, and have established arts collectives internationally.

Whilst the course does not offer progression onto the Fine Art PhD at Kingston School of Art it is understood that the programme supports those interested in developing a practice-based PhD proposal in the future with which they can apply to PhD programmes nationally and internationally as well as at Kingston School of Art.

Links with business and industry

Our students are encouraged to engage closely with the diverse businesses that make London one of the most important centres for the creative industries. Our industry connections mean we provide unique study opportunities, such as:

  • the chance to have your work seen by eminent members of your profession;
  • 'live' projects, site visits and placements in prestigious companies or institutions; and
  • project work and workshops with visiting lecturers and industry specialists.

Our excellent reputation means that industry leaders regularly visit our student shows to see the best of the new talent.

Research areas

Kingston School of Art is internationally renowned for research excellence and innovation across disciplines.

The Fine Art Department is home to a highly innovative practice-based Fine Art PhD programme and undergraduate programme that ranks amongst the top ten of undergraduate Fine Art courses in the UK. Working within a campus that is conducive to creative dialogues and exchange, students often choose to collaborate across different levels and disciplines.

Our faculty research centres explore practices, histories and theories of contemporary art, design and material culture.

Specifically, within the Department of Fine Art, The Contemporary Art Research Centre explores innovation in contemporary fine art, focusing on:

  • art and social context;
  • art and technology;
  • art and epistemology; and
  • art and materiality.

Changes to courses for 2021/22 due to Covid-19

Course information (changes for 2021/22 entry)

Composition of the course

The experience of delivering courses in 2020/21 under the various Covid-19 restrictions has enabled us to better prepare and plan the delivery of our courses in 2021/22. We are confident the course can be delivered as planned and, therefore, we do not anticipate having to make any further changes to the course, i.e. number of modules or credits in a year, in response to issues arising from the pandemic. However, if this becomes necessary, the changes will be highlighted to students via email before enrolment.

Unless government advice instructs otherwise, Study Abroad programmes will take place in 2021/22. The safety of all our students is paramount, therefore, as per normal practice, all Study Abroad activities must also be approved by the University's insurers to ensure that students are adequately protected during their period abroad. We will provide updates as the pandemic situation stabilises and/or further government advice is released.

Changes can be made to courses as part of normal enhancement processes in order to keep our courses up to date with current developments in that subject area and in response to feedback from students and other key stakeholders. Any such changes made to the composition of the course will be highlighted to students by email before enrolment.

Modules

The experience of delivering courses in 2020/21 under the various Covid-19 restrictions has enabled us to better prepare and plan the delivery of our courses in 2021/22. We are confident the course can be delivered as planned and, therefore, we do not anticipate having to make any further changes to module titles and summaries or to the availability of modules in response to issues arising from the pandemic.

Changes can be made to modules as part of normal enhancement processes in order to keep our courses up to date with current developments in that subject area and to provide a high quality student experience. Any such changes made to module titles, module summaries and/or availability of modules will be highlighted to students by email before enrolment.

Length of course

We expect to deliver the course within the planned timescales to enable successful students to progress through and graduate from the course without delay.

In exceptional circumstances the sequence of learning and teaching activities may be changed in 2021/22, e.g. moving those modules which can be delivered more effectively to the first teaching block and moving back those – such as practical modules and placements – which may be more difficult to deliver due to some ongoing restrictions.

In some cases, it may be necessary to delay placement modules which may then impact the length of the course. In these circumstances the University will guide students through the appropriate options available to ensure students are able to make informed choices.

Entry requirements (changes for 2021/22 entry)

We have not changed entry requirements as a direct result of the pandemic.

Entry requirements for international students

We have not changed entry requirements for international students as a direct result of the pandemic.

Teaching (changes for 2021/22 entry)

Changes to the way the course will be delivered

As we transition from the pandemic restrictions, we expect to steadily increase the proportion of on-campus teaching. We will continue to provide a proportion of online learning, as experience has shown that this enriches and supports the student learning experience.

If the pandemic affects teaching and learning activities in 2021/22 more than we currently anticipate, the proportion of online learning will increase. However, unless a lockdown is enforced, we will ensure that all courses provide a reasonable percentage of their teaching and learning activities on campus.

Should your circumstances prevent your attendance at on-campus sessions, you should still be able to engage with your course remotely in a way that allows you to progress. Where this is not possible, for example on courses with high practical content, your course team will be able to advise you on the options available to you.

Changes to teaching in the event of a further lockdown or adjustments in government advice

The University will continue to closely monitor government announcements and advice in relation to the pandemic and, where required, will take any necessary action in order to comply with such advice.

In the event that a further lockdown is enforced in 2021/22 the University will aim to deliver the course fully online once more. The majority of our courses are prepared to be delivered fully online if the situation requires it. Where the quality of the student experience may be compromised, or the course is unable to be delivered fully online, the University may need to suspend the delivery of that course until a time that it can be delivered. Students will be supported in these situations to ensure they are able to make the right choices for their particular circumstances.

Changes to the overall breakdown of scheduled teaching hours, placements and guided independent study hours for Year 1

Changes to the overall breakdown of scheduled learning and teaching hours, placements and guided independent study hours were not and will not be made as a direct result of the pandemic.

‘Scheduled learning and teaching' includes teaching delivered online, either live or recorded/on demand.

Timetable

Your individualised timetable for teaching block 1 (i.e. up to December 2021) should be available by the end of August. Timetables for teaching block 2 (i.e. from January 2022) will not be available until the autumn. We make every effort to ensure timetables are as student-friendly as possible.

In 2020/21 it was agreed that scheduled learning and teaching could take place on any day of the week between 9am and 9pm, to maximise the time available for teaching in order to accommodate smaller group sizes and social distancing. This meant we sometimes had to use Wednesday afternoons and enrichment week for additional teaching slots. If we need to accommodate smaller group sizes and social distancing in 2021/22 we expect to adopt a similar approach. Timetables for part-time students will depend on the modules selected.

Assessment (changes for 2021/22 entry)

The experience of delivering courses in 2020/21 under the various Covid-19 restrictions has enabled us to better prepare and plan the delivery of our courses in 2021/22. We are confident the course can be delivered as planned and, therefore, do not anticipate having to make any further changes to the course, i.e. to the overall methods of assessments, in response to issues arising from the pandemic. However, if this becomes necessary, the changes will be highlighted to students via email before enrolment.

Changes are made to modules, including how they are assessed, as part of normal enhancement processes to keep our modules up to date with current developments in that subject area and in response to feedback received from students and other key stakeholders. Any changes to the overall methods of assessment for Year 1 of the course will be highlighted to students by email before enrolment.

If social distancing or lockdown restrictions are in place in 2021/22, online alternative options to formal on-campus examinations, including practical examinations, will be made available to students where possible.

Staff (changes for 2021/22 entry)

No changes are expected to the general level of experience or status of staff involved in delivering the course.

Staff are engaged in Continuous Professional Development activities to develop their teaching expertise, as part of the normal enhancement processes, to ensure that course teams have the required breadth of expertise.

Fees, funding and additional costs (changes for 2021/22 entry)

Tuition fees

There will be no changes to published tuition fees for 2021/22.

Additional costs (e.g. field trips, materials, equipment, etc.)

As we transition from the pandemic restrictions, we expect to be able to increase student access to on-campus facilities. Students will therefore have access to University computers and library facilities.

If, due to an increase in social distancing requirements or the enforcing of a lockdown, it becomes necessary to significantly increase the proportion of teaching delivered online, students will need a personal laptop or computer and access to the internet to participate in online teaching and learning activities. Students who are able to travel will have access to computers on campus, however, it should be noted that access to on-campus facilities might be restricted if social distancing requirements are enforced.

The University is committed to supporting students who are unable to access suitable technology to ensure equity of access in a blended delivery mode.

Funding

There will be no changes to any existing University funding arrangements for 2021/22. Currently there are no indications from the UK government that there will be any changes to government funding arrangements.

Fees and funding for international students

There will be no changes to published tuition fees or funding arrangements specifically relating to international students for 2021/22.

Work placements and field trips (changes for 2021/22 entry)

We are anticipating that placements (including work and clinical placements) and field trips included as part of the course will go ahead in 2021/22. However, to ensure students gain maximum value from placement activities, it may be necessary to reschedule them to later in the year, when any impacts from the pandemic restrictions are minimised.

Any proposed changes to placements or field trips would go through the University's agreed processes where the impact of the change will be carefully considered.

In the interests of the health and wellbeing of our students, all placement arrangements must be approved by the University's insurers and the appropriate risk assessments made before students are sent on a placement.

Courses which require placements or field trips to be completed in order to pass relevant modules will have contingency plans in place in the event that a placement or field trip cannot be completed due to another lockdown or more stringent social distancing measures.

Award, qualification and accreditation (changes for 2021/22 entry)

Qualification

No changes will be made to the qualification awarded, e.g. BSc (Hons), MSc, etc., as a direct result of the pandemic.

Changes can be made to courses, including the qualification awarded (although very rare), as part of normal enhancement processes in order to keep our courses up to date with current developments in that subject area. Any changes made to the qualification awarded for the course will be highlighted to students by email before enrolment.

Accreditation

The experience of delivering courses in 2020/21 under the various Covid-19 restrictions has enabled us to better prepare and plan the delivery of our courses in 2021/22. We are confident the course can be delivered as planned and in accordance with any professional body requirements. We do not anticipate making any further changes to courses in response to any issues arising from the pandemic and which would put at risk any professional body accreditation status.

Additional (changes for 2021/22 entry)

International students should maintain awareness of the UK government's and their home country's government's advice on possible travel restrictions. The University will closely monitor advice and guidance published by the UK government and assess its impact on our international students. Appropriate advice and guidance will be provided as and when required.