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This collaborative degree, between Kingston School of Art and The Design Museum, has grown into one of the world's foremost programmes for design curators.
Taught by leading curators and designers, the course engages critically and creatively with our fast-changing, complex world. You will have the opportunity to curate live projects and build your own professional profile, through The Design Museum and with institutions such as the Architectural Association, British Council, Gallery Fumi and the Royal Academy of Arts. Led by both research and practice, this course has taught aspiring curators for more than fifteen years.
The Kingston School of Art environment, which includes the Stanley Picker Gallery, Dorich House Museum and outstanding workshop facilities, encourages creativity and experimentation as responses to interrogations of contemporary conditions. To actively consider geopolitical, social and economic concerns, Curating Contemporary Design is taught within a transdisciplinary framework that allows students to develop responses to the complexity of the world today.
|Full time||1 year||2 days a week (Tuesday and Wednesday)||September 2022|
|Full time||2 years including professional placement||2 days a week (Tuesday and Wednesday) plus placement year||September 2022|
|Part time||2 years||1 day a week (Tuesday/Wednesday)||September 2022|
|Location||Kingston School of Art, Knights Park, and The Design Museum, London|
As part of Kingston School of Art, students on this course benefit from joining a creative community where collaborative working and critical practice are encouraged.
Our workshops and studios are open to all disciplines – enabling students and staff to work together, share ideas and explore multi-disciplinary making.
Find out what you'll study on the course and how it'll prepare you for the curatorial world:
Through a rigorous framework and practical experience students will engage with contemporary discourse that responses to the complexities and urgencies of today's world. Acknowledging design and curatorial history, you will engage with those contemporary concerns through transdisciplinary collaborations in theory and practice, and will develop stimulating creative interventions and critical writing.
Throughout the year, students will work on a major live project with external partners, which will allow you to gain first hand curatorial experience. The final presentation will be shared with the general public at The Design Museum. Students are currently working on a collaboration with Parsons The New School, New York and HEAD Geneva, which started with a symposium on Design and Film at Dorich House Museum.
The course is structured into five modules. Typically students must complete 180 credits and will gain 30 credits with each of the four core modules plus 60 credits in the Major Project.
You will be equipped with the creative, theoretical and practical skills necessary to curate design exhibitions and other curatorial formats including devising briefs, conducting primary and secondary research, selecting exhibits and curating public programmes.
A carefully composed curating visits programme runs alongside the taught modules and includes visits to exhibitions, studios and alternative sites of curatorial and design practice and critique.
The dissertation and/or creative project provides an opportunity to realise independently a body of work which demonstrates an original and creative approach in the field of design curation. With the ambition to develop professional practice and theory, the dissertation has the potential to be developed for research at higher degree level.
This module provides an introduction to the concepts and practices of curating contemporary design. Through a close partnership with the Design Museum, you will directly engage with the curatorial process and develop an understanding of the curatorial knowledge and core skills necessary to produce creative exhibitions, collection displays, learning and public programmes. Leading practitioners at the Design Museum and guest lecturers introduce the key elements of exhibition curating, including concept development and narrative structure, selecting exhibits, working with exhibition and graphic designers, understanding audiences, the role of interpretation, writing exhibition text and how the areas of communications, development, finance, learning, retail and publishing support exhibitions.
These elements are further developed in group curating projects, with live project briefs set by Design Museum curators exploring a key aspect of 21st century creative and professional practice. The projects encourage communication, collaboration, peer interaction and critical reflection in combination with the development of research, analytical and critical skills. The module also includes a programme of curating visits which runs alongside the main teaching programme. The programme includes visits to exhibitions and other sites of design and curatorial practice in London. It provides the opportunity to hear curators reflect on their practice in the context of their own spaces. The programme encourages critical reflection on the visits and the writing of exhibition reviews.
This module provides an exploration of key theoretical concepts of curatorial practice. Questions around the object, collection, museum and exhibition will be discussed, supported by historical and current critical writing. You will develop an understanding of the close relationship between theory, history and practice, and engage with methodology as foundation of any critical writing, exhibition making or public debate.
The module radically expands the conventional definitions of the contemporary field of design practice. Using the close connection to design, art, and architecture practice courses at the Kingston School of Art, you will be exposed to a productive and stimulating environment of practice as well as critical thinking and research. Collaborative teaching between museum and university professionals allows you to interrogate with new work and develop a joined up approach to place it through research, writing and debate into historical discourse.
This module also considers the major project and explores its scope, direction and intended aims, through applied research skills and testing of methodological approaches. The project may be a set brief by a project partner, or provide a location and scope for a proposed curatorial intervention, or invite proposals in response to public concerns which might be social, political, ecological or other.
This module identifies and works with emerging curatorial formats and practices in order to develop your understanding of different curatorial formats. The field of contemporary design is a rapidly shifting landscape. Technologies are constantly changing and advances in social media networks, interpretation tools and public programming are having a profound impact on the way that exhibitions are conceived and presented. An expanded field of practice and new digital tools call for a range of creative solutions and specialist skills from curators. Curators need to equip themselves with the skills that address traditional forms of curating and writing alongside online platforms, broadcasting and more experimental media and display formats curated for diverse audiences, such as public programmes and residencies. A series of lectures, seminars and workshops from leading practitioners in the field will present case studies of innovative practice.
These elements are further developed in group curating projects, with live project briefs set by Design Museum curators and leading practitioners in the field which introduce and test new curatorial formats. The projects encourage communication, collaboration, peer interaction and critical reflection in combination with the development of research, analytical and critical skills. Student learning is supported by a programme of curating visits, including exhibitions and other sites of design and curatorial practice in London. It provides the opportunity to hear curators reflect on their practice in the context of their own spaces. The programme encourages critical reflection on the visits and the writing of exhibition reviews.
Display is an inherently political practice. Design and art are constantly evolving disciplines which shifting framework and overlapping boundaries necessitate persistent negotiation and (re)definition. To emphasise that this is not a new phenomenon, this module introduces exhibition examples of the last 100 years to show how such modifications have been communicated and challenged through creative and innovative curatorial approaches. Most importantly, this exhibition history demonstrates that defining the field has always been closely connected to political, social and economic aspects such as the consideration of national identities, movements, technology, culture and consumption. Investigating in historic and current adaptations of curatorial practice will directly influence how you formulate your own concept for your major project. Experimentation with formats and creative approaches are encouraged making full use of Kingston School of Art's workshops and curatorial sides. Guest lectures and tutorials will stimulate, motivate and support your independent or group work, and ensure the application of theoretical and methodological thinking.
The Major Project is the capstone module of the Masters programme. Focusing on critical research, analysis, and presentation, the capstone project enables students to synthesise and apply the knowledge and skills they have acquired throughout the course. The module provides students with an extensive programme of training and resources which are designed to aid them in the development, planning, research, and writing of their projects. It brings together students from several MA programmes in the School of Critical Studies and Creative Industries and embeds a range of interdisciplinary and practice-led approaches to their respective fields of study. It provides students with the opportunity to craft their own approach to their field through critical-theoretical and/or creative, practice-based research. The Major Project can accommodate research projects developed through a range of academic and professional contexts depending on the motivation and interests of the student. It can be presented either as a written dissertation or as a creative project, such as a portfolio comprising a chosen medium or media, accompanied by a critical commentary. The intensity of the workload increases across the three teaching blocks, allowing increasing focus in line with the level of your expertise.
Many postgraduate courses at Kingston University allow students to do a 12-month work placement as part of their course. The responsibility for finding the work placement is with the student; we cannot guarantee the work placement, just the opportunity to undertake it. As the work placement is an assessed part of the course, it is covered by a student's Student Route visa.
Find out more about the postgraduate work placement scheme.
The Professional Placement module is a core module for those students following a masters programme that incorporates professional placement learning, following completion of 120 credits. It provides you with the opportunity to apply your knowledge and skills to an appropriate working environment, and to develop and enhance key employability skills and subject-specific professional skills in your chosen subject. You may wish to use the placement experience as a platform for your subsequent major project module, and would be expected to use it to help inform your decisions about future careers.
The information above reflects the currently intended course structure and module details. Updates may be made on an annual basis and revised details will be published through Programme Specifications ahead of each academic year. The regulations governing this course are available on our website. If we have insufficient numbers of students interested in an optional module, this may not be offered.
Applicants should have a 2:2 or above honours degree or equivalent qualification in an academic subject or creative practice field.
We welcome applicants with relevant work experience, such as practitioners, museum staff and designers looking to extend their professional experience.
You should be able to demonstrate an ability to work creatively and within a team.
We will invite all shortlisted candidates to an interview. You will need to demonstrate evidence of enthusiasm and commitment for the subject, plus the ability to analyse written material. We can interview international students online.
All non-UK applicants must meet our English language requirement, which is Academic IELTS of 6.5 overall, with no element below 5.5. Make sure you read our full guidance about English language requirements, which includes details of other qualifications we consider.
Applicants who do not meet the English language requirements could be eligible to join our pre-sessional English language course.
Applicants from recognised majority English speaking countries (MESCs) do not need to meet these requirements.
You will find more information on country specific entry requirements in the International section of our website.
Find your country:
You'll be assessed through curatorial project briefs, critical reviews seminar presentations, essays, and a dissertation.
When not attending timetabled sessions, you will be expected to continue learning independently through self-study. This typically involves reading and analysing articles, regulations, policy documents and key texts, documenting individual projects, preparing coursework assignments and completing your PEDRs, etc.
Your independent learning is supported by a range of excellent facilities including online resources, the library and CANVAS, the University's online virtual learning platform.
At Kingston University, we know that postgraduate students have particular needs and therefore we have a range of support available to help you during your time here.
Year 1: 11% of your time is spent in timetabled learning and teaching activity.
Contact hours may vary depending on your modules.
Type of learning and teaching
Assessment typically comprises practical exams (individual or group presentations) and coursework (e.g. critical review, essays, reports, portfolios, dissertation).
The approximate percentage for how you will be assessed on this course is as follows:
Type of assessment
We aim to provide feedback on assessments within 20 working days.
This course normally enrols about 15-20 students. However this can vary by module and academic year because of part-time students.
This Curating Contemporary Design course is delivered by Kingston School of Art's academics, visiting lecturers, guest speakers and through industry connections, allowing you:
As a student on this course, you'll be taught at both Knights Park campus and The Design Museum on Kensington High Street in Central London.
If you start your second year straight after Year 1, you will pay the same fee for both years.
If you take a break before starting your second year, or if you repeat modules from Year 1 in Year 2, the fee for your second year may increase.
Kingston University offers a range of postgraduate scholarships, including:
If you are an international student, find out more about scholarships and bursaries.
We also offer the following discounts for Kingston University alumni:
The Sino-British Fellowship Trust has generously supported senior graduate students with a one-year fellowship to study Curating Contemporary Design since 2006. In addition, the Trust has kindly agreed to respond to the growing interest of Chinese practitioners with visiting scholarships for one term.
Please contact Jana Scholze for further details on both the bursary and the scholarship.
Depending on the programme of study, there may be extra costs that are not covered by tuition fees which students will need to consider when planning their studies. Tuition fees cover the cost of your teaching, assessment and operating University facilities such as the library, access to shared IT equipment and other support services. Accommodation and living costs are not included in our fees.
Where a course has additional expenses, we make every effort to highlight them. These may include optional field trips, materials (e.g. art, design, engineering), security checks such as DBS, uniforms, specialist clothing or professional memberships.
Our libraries are a valuable resource with an extensive collection of books and journals as well as first-class facilities and IT equipment. You may prefer to buy your own copy of key textbooks, this can cost between £50 and £250 per year.
There are open-access networked computers available across the University, plus laptops available to loan. You may find it useful to have your own PC, laptop or tablet which you can use around campus and in halls of residences. Free Wi-Fi is available on each of the campuses. You may wish to purchase your own computer, which can cost £100 to £3,000 depending on your course requirements.
In the majority of cases written coursework can be submitted online. There may be instances when you will be required to submit work in a printed format. Printing, binding and photocopying costs are not included in your tuition fees, this may cost up to £100 per year.
Travel costs are not included in your tuition fees but we do have a free intersite bus service which links the campuses, Surbiton train station, Kingston upon Thames train station, Norbiton train station and halls of residence.
Our graduates have successful careers in prestigious roles in museums, galleries, universities and cultural organisations around the world.
Through our alumni, the course has developed an extensive international network of curators that include:
Guest speakers and studio visits give you the chance to meet a wide range of professionals directly involved in the public presentation of contemporary design.
In recent years, guest speakers have included:
Professionals involved in course projects, crits and briefs come from a range of institutions, including the Architecture Association Archives, British Council, Royal Academy of Art, Jane Wither Studio, National Trust, Fumi Gallery, Science Museum, Victoria and Albert Museum, Crafts Council, and the Wellcome Trust.
This course is taught at The Design Museum and Knights Park campus, Kingston University.
At The Design Museum there is a dedicated teaching space in the Swarovski Foundation Centre for Learning. You'll have full access to the museum's exhibitions and learning programmes and be issued with a Design Museum membership card, which provides the following benefits:
At Knights Park campus, there is a wide range of facilities. The campus is situated on the Hogsmill River, with its restaurant and bar opening on to the waterside. It has a friendly, creative feel and benefits from a reception area with a gallery, art shop and space, and the light and airy open-plan learning resources centre.
The workshops and studios are open for creative exploration and offer you plenty of opportunities to collaborate on projects and share ideas, whether you are studying or researching. Building on this open approach, there are many adaptable architecture studio and workshop spaces, designed by Stirling Prize winning Haworth Tompkins, alongside active breakout spaces.
At the heart of the building are new state of the art workshop facilities, which include:
All our facilities are open access, meaning you can use them whenever you want, and irrespective of what degree you're studying.
The University also has its own on-site galleries, including:
Kingston is just a 30-minute train journey from central London. Here you can access world-famous museums and galleries.
In my experience, Kingston University gives you the opportunity to interact with many talented creatives from around the world.
I met so many new friends and colleagues at Kingston School of Art and in other faculties across the University.
Raphael Chikukwa, Zimbabwean curator and Chevening scholar
I am very grateful for the Sino-British Scholarship, which has given me an amazing opportunity to acquire new ideas, improve my professional practice, enhance my curating skills and develop the career that I have always wanted.
As a Sino-British Fellowship Trust scholar, I found the Curating Contemporary Design MA a wonderful experience. I enjoyed working in a team; learning more about art and culture administration; visiting the splendid museums, galleries, art and cultural institutions in London; and developing future cooperation opportunities between the UK and China.
Feng Sun, Sino-British Fellowship Trust scholar
It has been very interesting to explore the anthropology behind the curator and the subtle changes the whole profession has undergone. As a history graduate, the whole question really appealed to me and I really enjoyed writing it. The course is very good at facilitating your own interests and specialisms - that's for sure.
Since taking the course I have gone on to manage major London events including COLLECT at the Saatchi Gallery for the Crafts Council and Open House London weekend, London's largest architectural showcase.
Matthew Turtle, Producer Public Programmes, The Design Museum London
Our links with professional practice provide a real-world base for the Curating Contemporary Design course. They also help us to ensure your studies are kept up-to-date and relevant to the workplace.
As a student on this course, you'll also have opportunity to take an optional international study visit, which gives you the opportunity to explore another country's design practice and culture, and meet curators and designers that contribute to the local and global practice and discourse. Previous visits have been to Lisbon, Berlin, Amsterdam and New York.
Please note: this trip will incur additional costs which are not included in the course fees.
Kingston School of Art has a strong research practice, focussed on the curatorial, which is demonstrated by a considerable number of PhD students. However, many of our Research Centres engage with the subjects as well, mainly: