|Full time||2 years||2 days a week||September 2017|
|Part time||4 years||1 day a week||September 2017|
This unique programme - the only one of its kind in the UK - is dedicated to postgraduate study and research in the tradition of modern European (or ‘continental') philosophy. It will enable you to study in more depth and with a more intense research focus than the one-year MAs. You will be taught by the internationally renowned members of the Centre for Research in Modern European Philosophy (CRMEP), with their wide range of philosophical and interdisciplinary expertise.
The programme begins with a compulsory module on Kant's Critique of Pure Reason. You will then choose five modules from an extensive list that covers some of the foundational texts and thinkers of the modern European tradition (Kant, Hegel, Marx, Nietzsche, Heidegger) and 20th- and 21st-century philosophy and critical theory, including psychoanalysis.
You will then take a dissertation module, which includes content-based philosophical research methods seminars. Your dissertation will be assessed with a viva voce examination. In addition, you will organise and run reading groups around your own interests and on topics related to your dissertations.
Please note that this is an indicative list of modules and is not intended as a definitive list.
This module provides students with a grounding in Kant's philosophy, through detailed study of the Critique of Pure Reason and its competing interpretations. The module presents Kant's critical project as an historical and conceptual basis for the understanding of subsequent European philosophy as a whole.
This module guides students through an intensive and detailed research-based study of their chosen topic, over a period of none months (for a full-time student) resulting in a substantial dissertation of 25,000-30,000 words, under the guidance of an appropriate supervisor. The module includes a content-based series of philosophical methods classes, peer-led reading groups and presentation seminars.
Based on a study of artists’ texts, art criticism, art history and philosophical writings on art, this module comprises a critical examination of the legacy and possibilities of modernist and avant-garde criticism in contemporary art theory. As well as introducing students to some of the major texts and ideas in these traditions of art theory and art criticism, the modules aims to enable students to reflect critically on works of contemporary art in the light of their study.
A historical and philosophical introduction to the two main 20th-century traditions of Critical Theory: the Frankfurt School and French anti-humanism. After several works devoted to Kant's conception of freedom and practical philosophy, the module focuses on competing conceptions of critique, practice and empowerment, in, for example, Marx, Lukács, Adorno and Horkheimer, Althusser, Foucault, and one or two more recent thinkers (e.g. Badiou or Rancière).
Through our reading of the Phenomenology of Spirit, we will focus on the issue of understanding, more specifically of philosophical understanding. In the Preface, Hegel states that “philosophical writings” “have to be read over and over before they can be understood” (§63). Which specific mental, cognitive and affective operations does such a rereading imply? According to Hegel, our understanding (Verstand) is not, as a faculty, able to give us access to the “concept” (Begriff). What is it that our understanding does not understand? Through despair, doubt, skepticism and pain produced by the resistance of the philosophical statement, something appears — spirit. “Spirit that appears”, such is the meaning of the title Phenomenology of Spirit, such is also the name of the proper philosophical understanding: revelation.
This module offers students an opportunity to study major works by Nietzsche and Heidegger. In particular it considers the relationship between Nietzsche's critique of metaphysics as the manifestation of an ascetic 'will to truth' and Heidegger's project of 'dismantling' and 'overcoming' metaphysics in light of a renewal of the question of being.
Each year this module focusses on a study of a different selection of Freud's major and minor works, mining them for their philosophical significance and reflecting on the implications of psychoanalysis for philosophy, particularly in relation to the philosophical notion of the subject. Where appropriate the module will discuss the critical development of this theoretical framework by psychoanalysts such as Jacques Lacan and Jean Laplanche, its reception and deployment in the tradition of Freudo-Marxist critical theory, and the theoretical transformation and political critique of Freudian theory in feminist and queer theory.
This module focuses on the question ‘what is involved in a philosophical thinking of the history of art?’ This question devolves into two main parts. The first concerns the temporality proper to art’s history; the second concerns the way in which the individual work of art presents history and the operation of time. The module will concentrate on three figures central to a philosophical thinking of the work of art: Walter Benjamin, Alois Riegel and Aby Warburg. To conclude, we will examine, in detail, three works of contemporary art, traversing painting, sculpture and photography.
This module involves guided study of one or more major works of modern political philosophy. Texts and themes vary from year to year, but possible topics include: power, class, the state, sovereignty, government, organisation, institution, constitution, representation, democracy, ideology, property, mode of production, capitalism, colonialism, slavery, violence, subjection, nature, citizenship, law, rights, difference, justice, legitimacy, insurrection, insurgency, revolution, resistance, and so on. Approaches to the material will be filtered through contemporary debates in European philosophy and critical theory, with reference to figures like Agamben, Foucault, Negri or Rancière; primary texts may include canonical works by Machiavelli, Hobbes, Spinoza, Locke, Rousseau, Hume, Kant, Fichte, Hegel, Feuerbach, Marx, as well as material associated with major political sequences like the revolutions in France, the Americas, Russia, Cuba, and so on, or with more recent sequences like the anti-colonial struggles, May 68, or social mobilisations around questions of race, sex, class, debt, etc.
This module involves guided study of two or three major works of twentieth-century French philosophy, focusing each year on the work of two related thinkers. Possible topics include: Sartre or de Beauvoir's existentialism, Levinasian ethics, Merleau-Ponty's theory of embodied perception, Foucault's theory of power, Derrida's practice of deconstruction, Deleuze's conception of difference, Badiou's concepts of the subject and truth.
This module involves guided study of a selection of major works of post-war Italian philosophy, focusing each year on the work of two or more related thinkers. The module will explore the tension in Italian philosophy between the claims of theology and radical politics, one expressed in the turn to bio-philosophy and bio-politics during the 1990s. Thinkers studies include Agamben, Cacciari, Negri and Esposito. Topics will include: the place of contemporary Italian philosophy with respect to the history of philosophy, its place with respect to French and German philosophy, political theology, time, bio-philosophy and bio-politics.
Each year this module involves guided study of major works from the tradition of Modern European Philosophy, focussing either on a single text or on a range of texts in relation to a theme. The module offers students the opportunity to undertake intensive study under the guidance of a Professor – Étienne Balibar – who is himself a major thinker in the Modern European Tradition. Past topics have included Althusser, the dispute over humanism and the idea of a philosophical anthropology and the reception of Das Kapital in the Western Marxist Tradition. For 2014–15 the module will focus on a study of Spinoza’s Ethics, providing a general introduction to the structure and key ideas of the text, and proposing commentaries for 10 strategic propositions (or groups of propositions) chosen across the five ‘parts’ of the work.