Search our site
Search our site
  • Dance and Drama BA (Hons)

Dance and Drama BA (Hons)

Why choose this course?

This combined dance and drama degree has been designed with a strong practical emphasis, and a focus on London's vibrant multicultural arts scene.

The Dance and Drama BA (Hons) degree is designed to allow you to develop your own identities as informed dance and theatre-makers. By studying a wide variety of practices independently and with others, you will gain knowledge of the industry as a whole, and learn how your interests might fit into the bigger performing arts picture.

Attendance UCAS code Year of entry
3 years full time WW45 2020
6 years part time Apply direct to the University 2020
Location Penrhyn Road

Reasons to choose Kingston

  • You'll perform regularly in public. There are opportunities at Kingston's Rose Theatre, the International Youth Arts Festival, the Camden Fringe Festival and in Edinburgh. These projects will extend and develop your project management skills.
  • A placement will offer you valuable and relevant work experience. Examples of placements include BalletBoyz and The Place.
  • Kingston University's new Town House building will feature a performance studio theatre and three large dance studios, equipped to professional standards with fully sprung floors, mirrors and barres.

What you will study

You'll work on a range of workshops and across a wide range of performance styles. Through practical classes, you'll acquire analytical, choreographic, directorial, ensemble and performance techniques that will equip you to work in the performance industry.

You will be encouraged to develop projects through workshops, rehearsals and full productions. You'll also take part in Kingston's International Youth Arts Festival and the Camden Fringe Festival, gaining valuable professional experience and adding to your employability.

Modules

Each level is made up of four modules each worth 30 credit points. Typically, a student must complete 120 credits at each level.

Year 1

Year 2

Optional year

Final year

Core modules

Dancing Histories

30 credits

This Level 4 module is designed to provide you with knowledge and understanding of Western Theatrical Dance history. The module introduces you to the histories and practices embedded in Western theatrical dance and the research methods associated with the study of dance history.

The combination of practice and theory will enable you to establish, identify and experience the relationship between dance histories, theory and practice. In a series of tutor-led seminars/practical sessions and workshops, you will consider the historical contexts that gave rise to and changed dance practices, the dancing body and dance performances. For example, discussions and practical sessions may include theories and histories embedded in the dancing body; Natural Movement in Britain; Reconstructing the past: re-enacting the cannon; Judson Church: rethinking dance performance and the dancing body.

Besides learning subject-specific theory and practice, the module includes sessions dedicated to the development of academic skills. These sessions will enable you to develop your academic writing and key research skills such as information search and retrieval, bibliographical research, identifying and selecting relevant information, and referencing. 

Dancing Cultures

30 credits

This is a year long, core Level 4 module for all students taking dance programmes at Kingston.  In this module you will study dances from an anthropological perspective through both theoretical and critical analysis, and embodied practice and performance.  You will study, analyse and embody dance practices from a range of cultures and societies.  Discussion will include how dances have been, and currently are regarded by a range of ‘audiences' and their participants, as well as analysis of the specific contexts of their production, reception and consumption.  Inherent in these discussions are notions of change, transmission and migration of dance forms and practices to other contexts. You will be encouraged to explore the relationships between dance and culture, dance and identity, and dance and the community, as well as reflecting on the role, place and value of dance in a range of cultures and societies, including their own.  Throughout the course you will participate in blocks of practical workshops that will develop technical and expressive skills in relevant dance styles.

The Actor and the Text

30 credits

This module compliments and extends knowledge and understanding of key concepts of performance developed in Making Theatre Happen by focusing on the relationship between the actor and the written playtext.

There are two interweaving strands and each is designed to serve as a foundation for your ongoing studies.  You will explore fundamental components of drama such as plot, action, character and dialogue and examine ways in which each is presented in a series of written playtexts.  These plays are studied in detail and each is identified as a pretext for performance.  You are introduced to ways of interrogating the texts and develop a deeper knowledge and understanding of the relationship between what is written on the page and what is presented on the stage. The same playtexts are also used to explore a range of differing performance methodologies that can be utilised to identify the performance potentials of a text in a workshop environment.  You are led through cycles of Preparation, Exploration and Realisation - understanding what these terms mean and the actions they consist of will be an important aspect of the module - and not only learn appropriate ways in which to create intelligent and imaginative performance informed by a written text but also develop a range of acting skills necessary to perform them effectively. 

Throughout the module you are also introduced to the basic principles of theatre lighting and sound and will be encouraged to explore the impact of these technical elements when used in a performance context.  

Performance Vocabularies and Methods

30 credits

This module is a core requirement for all drama students at Level 4 and runs throughout the academic year. It operates and is assessed in conjunction with DA4001 Staging Histories. The module introduces students to significant skills, vocabularies and methods associated with creating performance and explores ways in which these may be applied within a range of dramatic and theatrical contexts. The main features of this module are the study and practice of key elements of performance such as the use of space, time, force (or energy); body and voice; play; interpersonal interaction onstage and off; performance structure and dynamics; and the creation of dramatic meaning and theatrical effect. In the first part of the module students participate in a variety of tutor-led exercises designed to increase their understanding and skills in these areas. These are drawn from methodologies and techniques developed by 20th and 21st century practitioner-theorists such as Anne Bogart; Rudolph Laban, Jacques Lecoq and Augusto Boal. They are also introduced to the basic principles of theatre lighting and sound. In the second part of the module they apply what they have learned in a student-led, staff-supervised project based around material studied in DA4001 Staging Histories.

Core modules

Performing Theories

30 credits

This core Level 5 module enables you to frame critical and analytical investigations of dance movement, dance works and dance events. Performing Theories combines practical sessions and lectures in order to introduce you to methodological tools, theoretical frameworks and critical writings in relation to dance performance and dance practices. 

The module addresses a number of key methodologies used within 21st century dance research, including intertextuality in dance, the body politic and gender representations in performance.  These concepts will be explored through technique classes, repertoire sessions, video and live performance analysis and group discussions.  

Devising in Context

30 credits

This is a core module for full-field Drama students and an option for those taking Drama as a major field. It builds on the knowledge, understanding and skills students gain in the Level 4 core module DA4002 Making Theatre Happen, enabling them to develop and adapt these within the context of devising theatre. It begins with an exploration of dramaturgical principles in relation to devised performance with a focus on how companies and practitioners select and respond to stimulus material of different kinds and how they shape that material into performance. Students study and critique devised productions and engage in creative exercises which enable them to experiment with a range of methods and techniques of devising. They then explore ways in which these approaches can be utilised and adapted within community and applied contexts. They are introduced to principles of theatre as social intervention, studying examples of applied theatre practice and participating in workshops focused around the employment of devising techniques in community contexts with a particular emphasis on collaborative methodology. For their assessment, students create a group-based devised performance They can choose to conceive of this as aimed at a specific audience such as a specific age group or community.  

Optional modules

Popular Dance

30 credits

This is a core module for Level 5 Dance students that introduces the concept of ‘popular dance' through the examination of a range of theoretical approaches, the analysis of a number of popular dances, practical embodiment and your own ethnographic research.  During the module we will examine the concepts of popular culture and popular dance using writing from cultural studies, popular music, film and media studies, and sociology.  We will examine a number of popular dance forms within their specific contexts of production, circulation, consumption and participation, and consider how the various sites in which they take place (across the vernacular, stage and screen media) have an effect on meaning, value and aesthetics.  We will consider how engaging in popular dance provides individuals with ways to negotiate, and challenge constructs of identity, and the social frameworks in which they are located.  We will also discuss and examine various methodologies used for the research of popular dance forms, and through practical workshops learn about specific technical and performative techniques that are often used when popular dance styles become theatricalised and codified.

Dance Making 2

30 credits

This 30 credit Level 5 optional module is available to full and major field students and is designed to consolidate the creative and critical concepts introduced at Level 4 and to expand upon improvisatory practices and choreographic techniques. Through the study of different dance and performance genres, you will be expected to make more sophisticated use of choreographic devices and effectively combine creative strategies from said dance genres in the creation of a piece of choreography.

Dance and Professional Practice

30 credits

This optional Level 5 year-long module develops your knowledge and understanding of the professional dance world. The module is designed to develop your employability for a range of professional dance contexts and careers (for example dance management and dance company education).You  will be encouraged to develop key professional skills needed for the workplace, such as CV writing and project management, as well as learning about the structures and policies of large-scale dance organisations in the UK, and professional standards and codes of conduct. In the second part of the academic year you will gain first-hand experience of project organisation and management by working in groups to set up a University focused dance event, dance performance or dance education workshop with specific roles tailored to your career interests.

The Theatre Director: crafting productions for the stage

30 credits

This module enables Level 5 Drama students to explore in detail a range of theatre rehearsal and production processes. Students will develop knowledge and understanding of the role and function of the theatre director in relation to the other key members of the creative team: actors, designers and technicians, and apply the skills and competencies they develop to the independent creation and production of theatre performance. The module's initial focus is directorial preparation and students will use Katie Mitchell's The Director's Craft as a template to explore, amongst other things, production-focused play analysis; interpretation and Dramaturgy; workshopping the text and ways in which to rehearse a scene. This section of the module will culminate in the preparation and presentation of a rehearsal demonstration. They will then be encouraged to think about the production more broadly and produce a director's book demonstrating that they are able to to consider carefully the perspectives and approaches of theatre designers and technicians whilst discovering effective ways in which to collaborate with the production team.

Dance Teaching and Leading 1

30 credits

This module develops your understanding and skills relevant to dance teaching and learning.  The module is designed for those who have an interest in developing knowledge and skills for teaching dance either in the community sector or within formal educational contexts in any dance style.  The module content includes educational theory, learning and teaching styles, inclusive dance practice, and the professional codes and conduct of a dance teacher.  During the module you will gain experience in planning, teaching and evaluating sessions with your peers, as well as external classes. 

Popular Performance I: Mask and Clown

30 credits

This module runs throughout the academic year and introduces students to a range of European popular performance traditions. Commedia dell' arte, pantomime and clown are typical examples of these traditions although the module could equally focus on a number of other forms. The origins and histories of these modes of performance are examined and used as a foundation for the exploration of theory associated with academics and practitioners such as Jacques Lecoq, John Rudlin, Dario Fo and John Wright. Both the historical context and the theoretical framework provide a reliable basis for the practical exploration of essential techniques and conventions of performance associated with each of the forms studied. The mutable and capricious Clown, an enduring feature of popular performance, is a recurrent figure within the module and serves as a playful means of approaching concepts such as presence, play, and the role of the spectator in the creation of meaning as well as common themes such as marginality, transgression order and chaos.

You have the option to take an additional year to study abroad.

 

Core modules

Production Projects B

30 credits

This is a core requirement for full field Drama students and an option for students taking Drama as a major field. It continues from DA6001, enabling students to develop the ideas and research they have undertaken in that module and carry them through to realisation. It is a capstone project which allows students to draw together their learning from across the Drama programme and apply it in a 'real-world' context through the creation, rehearsal and performance of a theatre production.

This module is largely undertaken through independent group-based rehearsal, although there is also a series of presentations and workshops addressing specific areas such as groupwork strategies, problem-solving, rehearsal planning and scheduling, managing budgets and publicity and marketing. Students form groups, select roles and choose scripts, themes and modes of performance based on the 'pitch' they made and the feedback received at the end of DA6001. The size of groups may vary but groups should not be made up of fewer than 5 students or more than 12. Each group will have a designated supervisor and a budget allocated on the basis of group size. The rehearsal process will be constructed around a series of formatively and summatively assessed stages such as work in progress performances, group and individual reflective exercises, submission of design and technical plans and presentation of publicity materials. Performances will be scheduled across a number of weeks in consultation with the Drama Technical Production Manager.

Drama Production Projects

30 credits

This is a core requirement for full field Drama students and an option for students taking Drama as a major field. It enables students to develop ideas and research and carry them through to realisation. It is a capstone project which allows students to draw together their learning from across the Drama programme and apply it in a 'real-world' context through the creation, rehearsal and performance of a theatre production.

This module is largely undertaken through independent group-based rehearsal, although there is also a series of presentations and workshops addressing specific areas such as groupwork strategies, problem-solving, rehearsal planning and scheduling, managing budgets and publicity and marketing. Students form groups, select roles and choose scripts, themes and modes of performance based on a 'pitch' they make and the feedback received at the end of Teaching Block One. The size of groups may vary but groups should not be made up of fewer than 5 students or more than 12. Each group will have a designated supervisor and a budget allocated on the basis of group size. The rehearsal process will be constructed around a series of formatively and summatively assessed stages such as work in progress performances, group and individual reflective exercises, submission of design and technical plans and presentation of publicity materials. Performances will be scheduled across a number of weeks in consultation with the Drama Technical Production Manager.

Optional modules

Access to Dance

30 credits

This Level 6 optional module enables you to undertake a placement with an professional dance organisation in a career path of your choice (for example community dance teaching, teaching dance in schools, community dance management, dance event organisation, dance company management, dance company outreach).  Initially you will attend lectures at the University that will prepare you for applying for a placement, and then undertaking the placement successfully.  With help and advice from the module tutor you then organise your own placement with a relevant organisation, company or venue.  Whilst on work placement you must plan and manage a specific project, the focus of which is decided on with your placement host and is dependent on the type of placement (eg. education, outreach, dance event management, project management, marketing).  The amount of time you spend in the placement will vary depending on the kind of activity with which you are involved.  You should complete a minimum of 40 hours on placement (and a maximum of 120 hours) during the year-long module. 

Dance Making 3: Creation and Collaboration

30 credits

This module is designed to develop new skills whilst allowing you to capitalise on existing skills in the process of conceiving, devising and delivering a creative outcome.

The module introduces you to collaborative approaches to creative practice. The collaborative approach will be explored in two different areas: choreographic practice and collaboration with different fields (eg drama, film, music). In terms of choreographic practice, you will be able to select the nature of their role within the choreographic process and explore ideas embedded in didactic and democratic models of collaboration (Butterworth, 2009). The module enables you to collaborate with a creative from a different field (eg drama, film, music) in the conception, creation and delivery of a creative outcome (eg. dance on screen, choreography and composition, physical theatre).

Popular Performance II: Cabaret and Variety

30 credits

The cultural impact of music hall, variety theatre and differing incarnations of cabaret has been felt at various times since the latter half of the nineteenth century and the legacies of these traditions continue to inform a wide range of current performance practice. This year-long module, which is optional for all Drama students at Level 6 provides, an opportunity to study a range of popular performance forms from historical, theoretical and practical perspectives. It therefore enables students to investigate issues such as the impact of Modernism and the emerging avant garde on the cabaret culture that spread throughout Europe, but significantly not as far as the UK, during the late nineteenth century; the importance of the halls in the development of popular culture; the birth of alternative cabaret and subsequently alternative comedy as a reaction to the Thatcherite politics of the late 1970s and early 1980s; and the current popularity of neo-burlesque. It also supports the exploration of essential practicalities such as the development and expression of a performer's personality; establishing rapport with the audience; ways in which material might be generated; and the necessity of presence and spontaneity.

Street Dances

30 credits

This Level 6 optional module allows you to further specialise your study of dance by focusing solely on the group of popular dance forms that have become known under the umbrella term of ‘street dance'.  During the module you will study a number of ‘street dances' in your historical, cultural, economic and political contexts, reflecting on the ways in which these popular dance forms have been transposed, modified, codified, commodified and hybridised.  Using theoretical approaches introduced in the core Level 5 module Popular Dance, you will analyse street dances in relation to issues such as authenticity, ownership, identity, commercialisation and globalisation.  You will also study how street dances are represented in screen media, for example in street dance films, music videos, TV talent shows and advertisements.  This module has a substantial practical component with a particular focus on developing technical skills in styles that may include locking, popping, breaking (or b-boying / b-girling), hip hop or house.

Special Study: Tragedy, Catastrophe, Trauma

30 credits

Tragedy, Catastrophe, Trauma is a special-study option module in the third year Drama field, and may be taken by both single honours and joint honours students. The module examines how ideas about tragedy have changed, and how these changes have produced different forms of tragedy at different times. The major emphasis of the module is on approaches such as Howard Barker's Theatre of Catastrophe, where the idea of tragedy is re-worked in relation to the practitioner's understanding of contemporary social, political and cultural contexts. The main feature of the module is critically-informed experimentation with staging a tragic drama for today. The module is taught through practical workshops exploring key texts in the development of tragedy. These texts are introduced and contextualised through a series of seminars and research tasks. The module is assessed formatively through presentations in class, and summatively through an academic essay, and the performance of an extract from a Barker play. Core materials are provided through Study Space and the LRC. This module provides students with an independent and in-depth practical and critical engagement with the origins, development and significance of different forms of tragic theatre.

Special Study: Applied Theatre

30 credits

Applied Theatre is a placement-learning module, which investigates the process of making drama and theatre in communities and non-traditional performance spaces, both practically and critically.

The main emphasis of the module is on developing the practical skills and contextual understanding needed to facilitate theatre processes and/or performances in partnership with a local community group or organisation. The main feature of the module in Semester One is a structured experimentation with a range of applied theatre techniques, which are read against important critical questions. This part of the module is taught through seminars and practical workshops, exploring case studies, key concepts and techniques, critical questions, ethics, aesthetics, and project design. In Semester Two, the main feature of the module is the delivery of a practical drama, theatre or performance project, of a significant scale, and taking place in partnership with a chosen constituency within the local community. This part of the module is made up of independent, student-led research and practice. The student project is supervised practically through placement visits by Drama staff, ongoing creative laboratories, as well as by the submission of research, project design and planning materials. The module is assessed formatively through presentations in class of practice and research, and summatively through the delivery of the placement project, reflective writing, and, where necessary, an end of project viva.

The information above reflects the currently intended course structure and module details. Updates may be made on an annual basis and revised details will be published through Programme Specifications ahead of each academic year. The regulations governing this course are available on our website. If we have insufficient numbers of students interested in an optional module, this may not be offered.

Entry requirements

112 tariff points

Typical offer

112 UCAS points from Level 3 qualifications, including Dance/Performance Arts/Drama and Theatre Studies/English Language/Literature (i.e. A Levels, BTEC Diploma, Access Diploma, IB Diploma, etc).

Additional requirements

Entry onto this course does require a dance workshop/interview as part of the application process. Details are available on the course page on the University's website. A short list of selected applicants are invited for an interview. UK-based applicants will be required to attend an in-person group workshop/interview. Further details about the interview will be sent with emailed interview invitations. Applicants based outside of the UK may not be required to have an interview but will be required to submit a digital portfolio/performance video.

International

All non-UK applicants must meet our English Language requirements. For this course it is Academic IELTS of 6.5 overall, with no element below 5.5

Teaching and assessment

Timetabled teaching and learning on this course includes technique classes, workshops, choreographic labs, lectures, small group tutorials, seminars, and group work.

Guided independent study

When not attending timetabled sessions you will be expected to continue learning independently through self-study. This typically will involve reading journal articles and books, working on individual and group projects, undertaking preparing coursework assignments and presentations, and preparing for exams. Your independent learning is supported by a range of excellent facilities including online resources, the library and CANVAS, the online virtual learning platform.

Academic support

Our academic support team here at Kingston University provides help in a range of areas.

Dedicated personal tutor

When you arrive, we'll introduce you to your personal tutor. This is the member of academic staff who will provide academic guidance, be a support throughout your time at Kingston and who will show you how to make the best use of all the help and resources that we offer at Kingston University.

Your workload

22% of your time is spent in timetabled teaching and learning activity.

Type of teaching and learning

Year 1

Year 2

Year 3

Year 1
  • Scheduled teaching
  • Guided independent study
Year 2
  • Scheduled teaching
  • Guided independent study
Year 3
  • Scheduled teaching
  • Guided independent study

How you will be assessed

Assessment typically comprises exams (eg test or exam), practical (eg presentations, performance) and coursework (eg essays, reports, self-assessment, portfolios and dissertation). The approximate percentage for how you will be assessed on this course is as follows, though depends to some extent on the optional modules you choose:

Type of assessment

Year 1

Year 2

Year 3

Year 1
  • Coursework
  • Exams: 8%
  • Practical
Year 2
  • Coursework
  • Exams: 0%
  • Practical
Year 3
  • Coursework
  • Exams: 0%
  • Practical

Feedback summary

We aim to provide feedback on assessments within 20 working days.

Your timetable

Your individualised timetable is normally available to students within 48 hours of enrolment. Whilst we make every effort to ensure timetables are as student-friendly as possible, scheduled teaching can take place on any day of the week between 9.00am and 6.00pm. For undergraduate students Wednesday afternoons are normally reserved for sports and cultural activities, but there may be occasions when this is not possible. Timetables for part-time students will depend on the modules selected.

Class sizes

The size of your class will vary by module and academic year.

What's it like to study drama at Kingston University?

Who teaches this course?

Many of the Dance teaching team are current practitioners, with extensive experience and professional links: they will help you to develop your skills, networks and gain access to industry contacts. Their expertise and knowledge is closely matched to the content of the modules on this course.

After you graduate

Our Dance and Drama graduates currently work in the creative industries as performers, writers, choreographers, directors, stand-up comedians, community artists, outreach workers, technicians, producers and events managers.   

In addition to pursuing careers in Drama and Dance, they work in publishing, journalism, advertising and marketing, arts management, new media, fitness instruction, public relations, business, and therapeutic fields. A significant number of graduates go on to postgraduate study in related fields or to teacher training.

Links with business and industry

Kingston drama and the Rose

At the heart of our drama course is a strong theatre industry link with the Rose - the largest producing theatre in south-west London. Kingston drama students benefit from the resources and expertise of a professional theatre and gain important industry awareness. Regular classes are scheduled in the Rose Studio, and occasional masterclasses on the main stage.

Industry experts from the Rose also teach masterclasses on our third year Production Project module. Likewise, our students learn from artists based at the Rose through Director's Insight, company Q&As and behind-the-scenes events. Every Kingston drama student receives a complimentary ticket to all Rose Theatre productions - supporting their access to live performances.

Our relationship with the Rose reflects our commitment that Kingston drama students will continue to graduate with excellent employability. All single honours drama students have the opportunity to undertake volunteer placements at the theatre in their first year. These cover departments like marketing, development, producing, and front of house. Students can also shadow important technical production processes, and work on spring and autumn mini arts festivals at the theatre. Some graduates have even gone on to work full-time at the Rose!

The partnership between Kingston drama and the Rose revolves around a shared mission to bring theatre and the community closer together. Our undergraduates often choose to present their Independent Theatre Projects (ITP) publicly in the Studio. Students taking our Applied Theatre module can approach the Rose Youth Theatre for a placement, or to work on their shows. Many drama students perform at the Rose during IYAF - Kingston's International Youth Arts Festival - every July. The Studio acts as a forum for the community by hosting sharing and networking events, as well as research platforms covering topics like Women in Devising and Shakespeare. Kingston University's performing arts are celebrated in an end of year, main-house showcase - Kingston on Stage.

Further links with industry

Our lecturers have practical and professional experience in the theatre industry, so you'll have access to practical help and career advice from people with insider knowledge. Our teaching is informed by the latest developments on the 'theatre scene'.

You'll work with guest speakers and visiting companies on specific modules. Past guests have included:

  • actors and performers such as Peter Hall, Jude Kelly, Marcello Magni, Anna-Helene McLean and Miss Tempest Rose;
  • playwrights such as Howard Barker, Alecky Blythe, Stephen Jeffreys, Anthony Neilson, Steve Waters and Laura Wade; and
  • theatre companies such as Frantic Assembly, Third Angel, the David Glass Ensemble, Told by an Idiot, Apocryphal Theatre and Song of the Goat.

You'll also gain professional experience in the community, both through modules and our extra-curricular programme. Recent examples include:

  • students performing their own productions at Kingston's International Youth Arts Festival (IYAF), the Edinburgh Fringe Festival and the Camden Fringe;
  • students collaborating with local community groups to create programmes of activities and projects (part of the Applied Theatre module); and
  • students performing at the Dorich House Museum in Kingston.

Course fees and funding

2019/20 fees for this course

The tuition fee you pay depends on whether you are assessed as a 'Home' (UK or EU), 'Islands' or 'International' student. In 2019/20 the fees for this course are:

 Fee category  Amount
Home (UK and EU students) £9,250*
International Year 1 (2019/20): £14,200
Year 2 (2020/21): £14,600
Year 3 (2021/22): £15,000
Islands (Channel Islands and Isle of Man) To be confirmed by the Island Authorities

* For full time programmes of a duration of more than one academic year, the published fee is an annual fee, payable each year, for the duration of the programme. Your annual tuition fees cover your first attempt at all of the modules necessary to complete that academic year. A re-study of any modules will incur additional charges calculated by the number of credits. Home/EU tuition fees may be subject to annual increases but will not increase by more than the fee caps as prescribed by the Office for Students or such other replacing body. Full time taught International fees are subject to an annual increase and are published in advance for the full duration of the programme.

Eligible UK and EU students can apply to the Government for a tuition loan, which is paid direct to the University. This has a low interest-rate which is charged from the time the first part of the loan is paid to the University until you have repaid it.

Additional costs

Depending on the programme of study, there may be extra costs which are not covered by tuition fees, which students will need to consider when planning their studies.

Tuition fees cover the cost of your teaching, assessment and operating University facilities such as the library, IT equipment and other support services. Accommodation and living costs are not included in our fees. 

Text books

Our libraries are a valuable resource with an extensive collection of books and journals as well as first-class facilities and IT equipment. You may prefer to, or be required to, buy your own copy of key textbooks.

Computer equipment

There are open-access networked computers available across the University, plus laptops available to loan. You may find it useful to have your own PC, laptop or tablet which you can use around campus and in halls of residences.

Free WIFI is available on each of the campuses.

Printing

In the majority of cases coursework can be submitted online. There may be instances when you will be required to submit work in a printed format. Printing and photocopying costs are not included in your tuition fees.

Travel

Travel costs are not included but we do have a free intersite bus service which links the campuses and halls of residence.

For this course you will be 

  • involved in processes of making, as means of exploration, experimentation, and understanding your practice, by using a diverse range of media and materials
  • required to purchase your own copy of books, for required reading
  • required to produce physical artefacts for assessment 
  • able to participate in optional study visits and/or field trips

However, over and above this you may incur extra costs associated with your studies, which you will need to plan for. 

In order to help you budget, the information below indicates what activities and materials are not covered by your tuition fees 

  • personal laptops and other personal devices 
  • personal copies of books 
  • optional study visits and field trips (and any associated visa costs)
  • printing costs
  • your own chosen materials and equipment
  • costs of participating at external events, exhibitions, performances etc.

The costs vary every year and with every student, according to the intentions for the type of work they wish to make. Attainment at assessment is not dependent upon the costs of materials chosen.

Note for EU students: UK withdrawal from the European Union

EU students starting a programme in the 2019/20 academic year will be charged the same fees as those who began in 2018/19 (subject to any annual increase in accordance with the applicable terms and conditions and the Kingston University fees schedule).

They will also be able to access the same financial support for the duration of their course as students who began in 2018/19, even if their degree concludes after the UK's exit from the EU.

No assurances have yet been made regarding 2020/21 and beyond. Updates will be published here as soon as they become available.

2020/21 fees for this course

The tuition fee you pay depends on whether you are assessed as a 'Home' (UK or EU), 'Islands' or 'International' student. In 2020/21 the fees for this course are:

 Fee category Amount
Home (UK and EU students) £9,250*
International Year 1 (2020/21): £14,600
Year 2 (2021/22): £15,000
Year 3 (2022/23): £15,450

* For full time programmes of a duration of more than one academic year, the published fee is an annual fee, payable each year, for the duration of the programme. Your annual tuition fees cover your first attempt at all of the modules necessary to complete that academic year. A re-study of any modules will incur additional charges calculated by the number of credits. Home/EU tuition fees may be subject to annual increases but will not increase by more than the fee caps as prescribed by the Office for Students or such other replacing body. Full time taught International fees are subject to an annual increase and are published in advance for the full duration of the programme.

Eligible UK and EU students can apply to the Government for a tuition loan, which is paid direct to the University. This has a low interest-rate which is charged from the time the first part of the loan is paid to the University until you have repaid it.

Facilities

The drama department at Kingston is a dynamic, challenging and supportive community, located in its own designated building, the Reg Bailey, which contains one large, fully-equipped, flexible black box studio, one smaller studio and a number of rehearsal rooms.

In summer 2019, a flagship dance facility will open in the new Town House, designed by award-winning Grafton Architects. It will feature three large dance studios, each equipped to professional standards with fully sprung floors, mirrors and barres.

Students on the BA Dance and Drama will benefit from the use of both facilities.

Key information set

The scrolling banner(s) below display some key factual data about this course (including different course combinations or delivery modes of this course where relevant).

Undergraduate study
Site menu